Free Fiction Fifteenth – Let’s Go Find Karl

May’s free story is an oldie, but a goodie, I reckon. It first came out way, way back in 2013, so kind of early days in my professional writing career.

I think it still holds a certain verve and energy, though there are some things I would do differently were I to write it today.

But that’s okay. I should stand as it is, I think.

I hope you enjoy it.

Thanks for reading.


Let’s Go Find Karl – blurb

Descend into the depths of a diabolical world of deception and double-cross.

Melinda has a snippet of Karl’s brain and she needs to join it up with the rest of him.

If only she knew where he was.

A brain-bending surreal story of love, loss and little litigation.


Let’s Go Find Karl

 

Chapter One

Melinda Koi flexed her right hand, enjoying the new freedom the tune-up gave. The thumb still felt a little gummy, but it was better than it had been in months. Someday she was going to get the whole prosthesis replaced. Mercedes were making some nice parts these days, but that would take a lottery win.

It made her think of Karl. She had to remind herself that it okay to be not in love with him because he wasn’t really Karl anymore anyway. Her hand was a constant reminder.

“Earth to Mel,” Damon said.

“Sorry,” she said. She came away from the apartment’s balcony. Beyond, out over the bay, a gull called, looking for somewhere to settle for the night.

Inside Damon lay stretched out on the lie-low, staring up at her curve. It hung over him, bowed and floating like a jellyfish.

“What are you doing?” she said.

“Like I was trying to tell you. Messages from Karl. He wants us to bring out his lobotomy fragment.”

Melinda flexed her hand again. “Bring it where?” She glanced over at the icebox, glad that she’d been able to give the disgusting thing back to Damon. She had a tiny inkling that Damon had only shifted apartments so that he didn’t have to have it around. It had seemed like a favor, but four weeks with a piece of Karl’s brain in her refrigerator was a month too long.

“He says the DeCataur brothers want their money.”

Melinda sat on the velour squab next to the lie-low. Pulling up the side of the curve, she looked in at the display. Her thumb twitched.

The curve twisted a little, the display daughtering across and reformatting to her view. It showed her a news ticker. The DeCataur company facing more litigation and class-actions over the state of the Delaware Bay.

“Here.” Damon sat up. The curve flowed away, settling on the vertical, looking less like a sea creature and more like a television. The weather appeared as if it was going to rain once more. Damon spread his hands and the news ticker and weather faded into thin, faint strips around the edge with the ads for Coke and Hyundai. His mailbox filled the main part of the display. “Here,” he said, pointing at one of the messages.

Fourteen million. Can you get that through today?

“Fourteen!” Melinda said.

“Keep reading. It’s not that bad.”

 

Chapter Two

Karl blinked. Data slipped from his implant and recycled through his eye. Something was wrong with the stream. Something interrupting the dataflow.

“Mr. Oppen,” someone said. Jimmy DeCataur. “You’re awake now.”

Karl didn’t answer.

“We know where your brain matter is,” DeCataur said.

“You doing your own dirty work now?” Karl said. Something in his head fzssted, then his thoughts became clearer. He was on a plastic conference room chair with his arms and feet bound. He could hear water. They must be in one of the sheds at the port. They’d moved him again.

“Times,” Jimmy DeCataur said, “are tough. We’ve had to let some people go. But I do believe that you will be able to furnish us with enough data to ensure that DeCataur will thrive.”

“I have nothing. Data is free. Free and fast. There’s nothing I could hide in here that you can’t just download yourself.”

“Oh? I beg to differ.” Jimmy punched Karl’s jaw.

 

Chapter Three

“Okay,” Melinda said, staring at Karl’s message. “But you’ve got to stop buying stuff with my curve. My ad-stream is all polluted.”

“Yup, but not me. These companies just advertise everywhere.”

Melinda had never seen an advertisement for soda on her own curve before, but she didn’t argue. She read on through the message. Bring the brain tissue. They’ll do a trade. Remember the canal? Pier 1 Imports. Code and talk. 8.15.

It was already 7.45.

“There’s a whole lot more to this than you ever told me,” she said. She tried to fathom through the message. There were layers to that too. Code and talk? That didn’t make sense.

“Maybe I’ll explain it on the way out there?” Damon said.

“Or now.”

“He’s your ex. You don’t even want to help him out?”

Melinda stared at him. “Maybe because he’s my ex. Do you think we parted amicably?”

Damon shook his head a little. “I heard the fights. But that was a long time ago. And it’s not like you’ve dated anyone since.”

“Except you.”

“Once. Three years ago. That wasn’t going to work out so well. We’re much better neighbors than we are lovers.”

Melinda smiled. They’d never been lovers, but he was right in a way. “Just that we’re not neighbors anymore. Though, it seems that I see way more of you since you moved.”

Damon sighed. “I’m looking at the time here. I’m going to go. You should come with.” He shrugged. “If they can’t get details from him, they’ll cut his implant out.”

Karl’s implant was several orders of complexity above her prosthesis. After the accident, it had been easy enough for the surgeons to shave away her ruined thumb and fingers and leave trailing nerve endings to allow a generic prosthesis to be fitted. The car door frame had buckled in and crushed half her hand. She still had her own ring finger and pinky, but the GE attachment gave her normal function, welded into her wrist bones and tied into her tendons. Its metallic outer made it obviously a prosthetic and it had a gummy thumb, but she’d come out of it far better than he had.

Karl had lost his forehead, from eyebrows to hairline. And the brain matter behind. GE didn’t do brains, but Loboasis did. On Medicaid, too. A biologic-quantum processor that holographically rebuilt his functioning. To a certain extent. A rebuilt personality never quite came off. Like the almost-real CG actors that never quite captured the nuances of an actual human. Like her half-hand.

So it had ended. He’d moved across the bay and she’d stayed here, painting and writing advertising jingles. It beat out her years in the force.

And now he’d gone and done something really stupid.

“I don’t see why they need his brain matter,” she said. She didn’t even know why or how he’d been able to keep it.

“Insurance,” Damon said. “It’s still alive.”

Melinda stared at him. “You tell me this now?” How was that even possible?

“You never would have looked after it.”

“You’re right.” She frowned at him. She’d never even held the canister, had even tried to keep her eyes from it. But now that she thought about it, the canister had been too big for a simple sample jar. It must have been a self-contained nutrient and environment pack. Keeping the removed section of Karl alive. And more. It had a built-in recording unit to keep details on environment and location. The thing was packed pretty tight. “Until it can be replaced?” she said. “Is that the idea? Like the cryogenic freezing crowd, waiting until a cure is found?”

“If Karl survives.” Damon shrugged.

“I’ll get my jacket and my gun,” Melinda said.

 

Chapter Four

“We know,” Jimmy DeCataur told Karl, “that you know about our interests. We know that you have made recordings that have been transferred to your implant.”

“That seems like a very odd thing to me.” More sections of Karl’s awareness flashed up. It was cold in the room. They might be in a cool store. Were they going to take him to Pier 1 for the transfer?

“You saw all our documentation. Both books. You know how our operation runs.”

“You would want me to look over your documents,” Karl said. He felt as if he was speaking to a slow-witted child. “That’s how you keep out of trouble. You have your lawyer check through your contracts to ensure the loopholes are kept open.”

Jimmy smiled. “Of course. Except that you didn’t disclose that you had the implant.”

“How could you not know? I was away from my desk for eight months. The accident was in the papers. The implant is a regular thing. You’d have me disclose that I had a hearing aid? Or that I’d had my nails done? You’re being ridiculous.”

“But you record everything in there. Anyone could open you up remove it and plug it into a console to download all of that data.”

“It doesn’t work like that. But I do have a solution.”

“Oh, really. My solution is probably more elegant. I’m going to rough you up a little, and then fry your little implant so no one can extract any data from it. As soon as Micky gets here with the Tesla.”

 

Chapter Five

The rain pounded at the Ford’s hood as Damon pulled up outside Pier 1. A few buses slipped by, and a man in a long coat with an inverted umbrella hurried along, but there was hardly anyone else around. Streetlights reflected from the wet sidewalks.

Melinda looked across in the rain. They were opposite Canal Avenue, which seemed to tie in with Karl’s Remember the canal? in his message. Except that they already knew to come to Pier 1. Why double that information?

“Closed,” Damon said.

The store was locked up. Manikins glared back at them in the security lights.

“You sure it’s here?” Damon said.

“That’s what the message said. You got the message.” Melinda adjusted her shoulder holster again. The gun itched a little. It was probably four years since she’d worn the holster. She still went to the range regularly to pump off a few rounds, but when she’d given up the force, she’d stopped carrying a hand gun. Mostly.

“How are we going to get in?” Damon said.

“Side door.” The building was on a pier, reaching out into the bay, and the pier still wrapped around the outside, with cafes, gaming and kiosks, and some Pier 1 store entries.

“You’ve got a key?”

“We’ll see.” If the code from the message worked. She almost had it figured out. “Bring the canister.” She got out of the car and ran for the sheltered side of the building.

 

Chapter Six

“You think you’ll have help?” Jimmy DeCataur said. “I don’t think so. And even if they do find you, there won’t be much left.” He jabbed Karl in the ribs.

Karl grunted, jerking forward against his bonds. He took a moment to get his breath. “If you know you’re going to get your data extracted, why beat up on me?”

“For the fun of it.” Jimmy grinned at him. “Had I known how satisfying it can be, I never would have had others doing it for me.”

“You need plausible deniability,” Karl said. “Your knuckle prints are on my chest now, your hand print on my cheek. You’re giving the courts a body of evidence to convict. That’s why you have thugs to do this. Fall guys.”

Jimmy stepped away and frowned.

Another switch triggered in Karl’s head and the room seemed to open up. Binocular vision. And light processing. The room became brighter and deeper. The implant had to be analyzing something and devoting power to that, rather than his non-essential functioning.

He wished the cognition would come online a little more. At least he had his legal wits, to some extent. He had Jimmy worried and that might buy him a little time.

“You know,” Jimmy said with his nasty, schoolyard-bully smile, “I don’t think there’s going to be any evidence for the courts to analyze.”

 

Chapter Seven

Melinda followed the pier along almost to the end, passing the cafes and kiosks. A couple of the cafes were still open, but in the bad weather they were without customers and the staff were beginning the process of closing up. The place hummed on sunny summer’s Saturday afternoons, but not so much on wintery evenings.

She stopped at the third entrance to Pier 1. To the left a closed cafe called Code, and on the right another called Caffaddict.

Damon caught up with her and huddled in against the glass doors, almost out of the weather. “This is the one?”

Against the pier’s railing a locked-up kiosk sat under one of the light standards. The kiosk sold cell phone cases and other accessories. It didn’t have a name, but she guessed that’s what Karl had meant by talk in his message. Why not just say the third entry on the left?

“Have you got the canister?” She started examining the Pier 1 entry, looking for a touchpad or swipe for security entry.

“Of course,” Damon said. He slipped it out of his jacket.

“Here,” she said. She’d found the security panel. “Hold that barcode up to the reader.”

“Barcode?”

“On the base of the canister.” She would have taken it from him and done it herself, but she couldn’t bear to hold the thing.

“This is the key?” he said, looking at the base. He pointed it at the panel and a green light pinged on.

Melinda tapped 8-1-5 into the panel. The light flashed and the doors swished open. Not just the time. The entry code.

“Let’s go find Karl,” she said.

 

Chapter Eight

Karl heard a sound, but he couldn’t tell where it had come from. An opening door. Behind him he guessed. His auditory hadn’t come back online yet. It was like listening to mono after years of 7.1.

“Micky,” Jimmy said and stepped out of Karl’s line of sight. “Is that the device?”

“Yes,” a voice said.

Karl recognized the voice. Not Micky at all. Michael Donahue. A partner at the law firm. Karl turned his head, trying to see, but they were just silhouetted in dim light from the door. Michael held something big in his hand.

“That’s some machine,” Jimmy said. “You sure it won’t leave a scar?”

“It won’t leave anything.”

“Michael,” Karl said. “What’s going on?”

“Nothing personal,” Michael said. “But you’ve become a liability to the firm.”

“Don’t you have thugs for this kind of thing too?”

Michael laughed. “I’m glad to hear you didn’t lose your sense of humor. Amazing what these implants can do these days.”

The sound in the room changed, as if he’d stepped into a kind of spatial external sensorium. The implant had let him have his hearing back.

He wondered what it was up to.

 

Chapter Nine

“What now?” Damon said as he and Melinda walked through the side entry foyer into the store proper. “This place is huge.”

“New stock’s in early,” she said.

“You make a joke at a time like this?”

“Menswear,” she said. She found the store directory and squinted at it in the dim security lights. “Second floor, back toward the entry.”

“What is all this about?” Damon said. “Running around all over town.”

Melinda didn’t answer. She found the elevator and punched for the car. The doors chimed and opened. When they got to the first floor, she pulled out the gun. It always felt odd in the prosthesis, but she knew she could fire it. She’d done that enough at the range.

“You think you’ll need that?”

“Who knows? You want me to keep it holstered?”

“No, no, carry on.”

She headed through towards the menswear section, noticing the signs over the collections. Le Coq Sportif, Banana Republic, Little Joe, Yann. It was weird to be in the building after hours. She wondered if Karl would be able to get them off a breaking and entering charge. Well, entering, anyway.

“Panama Jack,” Damon said, pointing.

Melinda nodded. The canal, from Karl’s message. The neat stacks of shirts and slacks on the table seemed too perfect. Ready for tomorrow’s shoppers.

“Look.” Damon walked over to a manikin. “Orioles.”

The manikin wore a baseball cap. Karl’s team.

“I didn’t think they’d put sports merchandise on them,” Damon said. “Only the label’s own hats.”

“They shouldn’t,” Melinda said. “But that’s Karl’s hat.” She went past Damon and lifted the cap from the dummy’s head. Signed on the brim by Ollie Charbonne. Melinda remembered being with Karl the day he’d caught a fly ball off Ollie, up in the stands. It was the first fly Ollie had skewed off in two seasons. Later, they’d met some of the team and Ollie had signed the cap, patting Karl on the shoulder and laughingly offering him a job as catcher.

That was a month before the accident, when everything had seemed so bright and open. They would have kids, buy two condos and knock down walls to remodel, holiday in Europe. It had all seemed to easy and perfect.

“Earth to Mel,” Damon said. “No time to stare off into space.”

She shook herself. “Karl was here.”

“Yeah,” Damon said. “But what next?”

Bring the brain tissue.

“Give me the canister,” she said.

 

Chapter Ten

Michael came around and stood in front of Karl. The machine looked like a Viking helmet, with a few extra horns on it.

“Let’s take that thing out of you and we can all go back to our nice little lives,” Michael said. “Well, except for you.”

“Wait,” Karl said. “There’s a way to do this without killing me.” He was making this up now. Maybe the implant knew what it was going to suggest. It wasn’t supposed to be able to do that. It was integrated with his own brain tissue. It physically couldn’t do any thinking of its own.

Michael grinned and looked up at Jimmy. “No, see, your implant has compromised the ability of Donahue, Anderson and Meyer to practise law. If you survive the operation, we would still be compromised. And you’d be a vegetable. Practically a vegetable.”

They hadn’t taken long to get rid of him. “You mean ‘Donahue, Anderson, Oppen and Meyer’.”

The colors in the room amplified. He could see the reds and blues in Michael’s tie.

“Ah,” Michael said. “Partners are so easily bought out these days. Take the money and retire to the country. I heard your deal might have been very good for you.”

“My deal?”

“I think it was for one dollar. I guess you must not have not read through the documentation too well.” Michael shrugged. “Much as I enjoy chatting with you, I’m on a schedule here, so I’d like to get on with the operation. If you would just lean your head back a little.”

 

Chapter Eleven

“Give you the canister?” Damon said. “You hate it.”

“That’s right. I tolerate it because it was part of Karl’s wish.” Why did that man’s threads still weave through her life?

“You still love him.”

“Just,” Melinda said, “give me the canister.”

Damon held it out and she took it. Her index finger made a little metallic clank against it. Reaching up with her whole hand, she touched the manikin’s forehead, exposed now that she’d removed the cap. It was one of those manikins with a solid, textured wave of hair molded in the same resin as the head. Just above the brow there was a line, as if someone had minutely chiseled away, or sawed, the cranium off.

Using the butt of the canister, Melinda tapped the forehead. With a crack, the top of the manikin’s head broke away and tumbled to the ground.

Melinda saw an aerial inside the skull cavity. A bright LED flashed purple at her.

“What’s going on?” Damon said.

Melinda stood on tiptoes and peered in. The purple light pulsed faster. She felt the canister in her hand vibrate like a phone.

“Ew.” She almost dropped it.

“What?” Damon said. He took a step closer.

“It’s opening.” She held it back to him, then drew it back a second. The environment recording was off and she thumbed it on. It would record everything now.

As Damon took it, a thin film of screen wound out of the side. The screen showed a map.

“That’s us,” Melinda said. “Pier 1.”

Damon turned the display to catch the security light better. It showed the edge of the bay, along the whole port.

“And what’s that there?” Damon said, pointing to a blinking purple spot, further around the map, back into the industrial parts of the harbor.

Karl. All this had been set up before. Not his location, but a point from where they could find his location. “Let’s go,” she said, and turned, sprinting for the door.

 

Chapter Twelve

Karl’s mind opened up like the iris on a jaguar’s eye. It felt as though all those other little increments of sight and smell had been just at the edges. Marginal improvements that only hinted at the access he now had.

Someone had switched on the implant.

His memory of the plan raced back.

Corner DeCataur and whoever he was working with, and confront them. Find out if they really were prepared to go to these lengths.

It was no coincidence that DeCataur lacked henchmen. Karl had forgotten, with the implant’s help, but now remembered how he had ensured that the little group was out of the way. Money bought loyalty, apparently. And, chances were, he would be able to recover the money anyway, with the electronic traces.

He felt surprised by how well the implant’s memory restriction had worked. A few minutes ago he’d been convinced that his situation was dire and he didn’t see any way out. Now it was clear that he had engineered the whole thing.

Thank you Melinda.

He wondered if he would have to remove DeCataur and Donahue. He would if necessary. It stank, but they would just as easily do it to him. They already had him bound. He could imagine them dousing him with solvent and setting light to the warehouse.

He wasn’t sure where he was, but the locator program had come active. If he didn’t survive the next few minutes, at least they would find his body before it got charred to nothing. At least the canister would record everything.

All these thoughts took a split second. DeCataur and Donahue seemed almost motionless. The implant had Karl revved up now. His brain processing faster than they could even imagine.

He felt the Viking surgery helmet settle onto his head.

“This won’t,” Donahue said slowly, “take long.”

“No, it won’t,” Karl said. He flexed his legs, trying to stand up. He only succeeded in tipping himself over sideways. The helmet rolled off.

 

Chapter Thirteen

“Let me drive,” Melinda said as they exited Pier 1. She sprinted along the wooden deck.

“It’s my car,” Damon said, almost keeping up.

“Yeah, but you’re a better navigator.” She reached the driver’s door and yanked it open.

With a huff, Damon opened the other door.

Melinda started the car and plunged the accelerator. The little Ford’s tires squealed and it spun around.

“Stay off the expressway,” Damon said, clinging to the door handle.

“You bet.” The car straightened and sped into traffic.

 

Chapter Fourteen

Karl rolled. He flexed his hands. They should have come away. The chair should have broken, or at least bent enough that he could wriggle out. It felt like all the strength had gone out of his muscles.

“Not so very smart now, are we,” DeCataur said.

Karl flexed again. He felt like he was stuck in thick mud.

“A simple toxin,” DeCataur said. “It affects your nervous system, but not the implant. Though, I should have strapped you to a table instead of a chair. And had the table bolted down. All this thrashing around is just a nuisance.”

It was becoming difficult to breathe.

“A table would have been a good idea,” Donahue said.

“Next time.”

Karl managed to scrabble away across the floor a little. His lungs burned.

“What next time?” Donahue said. “This is a unique case. How many other lawyers do you think we have who have implants like this?”

“I don’t know?” DeCataur said. “Why don’t you tell me.”

“Don’t try to twist my words.”

“No. That’s your job, isn’t it. Twisting words.”

“Shut up, DeCataur. Let’s get this done.”

As he listened to them argue, Karl thought about Melinda. Thought about things he would have done differently. If this had gone to plan, he would have been able to make it up to her.

Out of the corner of his eye he saw Donahue pick up the helmet again.

 

Chapter Fourteen

“Go left here,” Damon yelled.

Melinda swung the wheel and they slid around a corner. A tire clipped the curb.

“My car, remember!”

“I got it,” Melinda said. “This block?”

“Dead ahead.” Damon glanced behind. “I’m surprised we don’t have every cop in the borough after us.”

“That,” she said, “would be a good thing.”

Melinda saw the warehouses ahead. Fish sales nestled in among the vegetable cool stores.

“There,” Damon said. He looked down at the canister’s display, then back up at the buildings. “DeepSea FishCo.” He pointed.

Melinda glanced at the display and pulled the car in at the loading bay. She killed the engine and leapt out. The stink of fish waste hit her nostrils. She ran over the greasy tarmac and jumped up onto the loading dock. A roller door blocked the way. At the side there was a regular-sized door swung shut into the roller. Melinda kicked the small door open.

“Wait,” Damon called as he slipped climbing onto the loading dock.

“Keep up,” she said and ducked through the broken door.

 

Chapter Fifteen

Karl focused his mind on the implant. The surgical helmet had a series of probes darting into his forehead and scalp.

If he could get the implant to link to the helmet’s controller he might be able to shut it off.

A blade ran across his brow. He felt blood trickle.

“This might be a little painful,” DeCataur said. “But it won’t last long.”

Karl heard the high-pitched wine of a bone saw. He tried again to get the implant to hack into the helmet.

“You can stop that,” Donahue said. “Your signal is showing, and the helmet’s processor is shielded. It was nice knowing you. Well, at first anyway.”

Karl heard the sound of glass breaking, though perhaps it was just the sound of the bone saw starting work.

Chapter Sixteen

Melinda kicked her way through another door. Thank goodness for cop training. She heard Damon scrabbling along after her.

“Down this corridor,” he said, shining a flashlight on the canister’s display. It still looked weird. Lots of devices had their own roll-out displays these days, but on a canister with a living tissue sample it was just creepy.

She started running again.

“This door, this door,” Damon said as she went by. She skidded to a stop and turned. “Right in here,” he said. “The signal is coming from the room here.”

“Ready?” she said.

“I’m unarmed.”

“Good. You’re safer that way.” She lifted her boot and kicked at the lock. The door burst open.

She took the scene in quickly. Two men on their feet. One of them crouching. Someone else with Mardi-gras headgear, lying on his back on a chair as if the chair had been dropped over backward. A whining sound sang through the air.

The standing man she recognized.

Jimmy DeCataur.

“Here’s our problem,” Damon said.

“Stay back.”

“Who are you?” DeCataur said. He began reaching for his jacket.

“Don’t,” she said. “Hands up.”

“We’re just looking for Karl,” Damon said.

That was Karl on the floor, Melinda realized. Bound to the chair. The whining sound came from the odd hat.

DeCataur’s hand slipped inside his jacket.

“I will shoot you,” Melinda said. Her prosthesis had jammed on the gun. So much for getting he hand serviced.

The other man had come upright and was sidling away.

“I don’t think you’ll be shooting anyone,” DeCataur said. He whipped his hand out.

She shot him through the chest. DeCataur tumbled to the floor like a rag doll.

“Whoa,” Damon said.

“I didn’t do anything,” the other man said, still backing away.

“Then keep doing nothing,” Melinda said, “or I’m going to shoot you too.” Keeping the gun leveled at him she ran to Karl. The headgear was some kind of medical apparatus. “Damon?” Blood streamed from Karl’s face and out across the floor.

“On it.” Damon knelt beside her. He tinkered with the machine. The whining increased in pitch.

“Make it stop. You’re killing him.”

“It’s okay,” Damon said. “It was a saw. It pulled out. It’s stopping now.”

“All right,” she said. “All right.”

The whine began to diminish.

“Grab that,” Damon said, pointing.

She put her hand where he’d indicated and together they slid the apparatus off.

Karl’s forehead was cut to the bone. Into the bone. Damon pulled a white cloth from a shirt pocket and held it to the wound.

“Go find a first aid kit,” she said. “Let me hold that.”

“Gotcha.”

Karl’s hand came up. “I’ll hold it,” he whispered. “Untie me.”

“Karl!” Damon said.

“First aid,” Melinda said. She tried to let go of the gun to help Karl. The thumb wouldn’t release.

“Untie me,” Karl said.

Damon handed Melinda his pocket knife and stood. “There’ll be first aid in the office. What about the other guy?”

Melinda glanced up and saw the man, still creeping toward the door. She lifted the gun again. “Don’t be thinking about going anywhere.” With the knife in her good hand she reached out and sliced off the plastic strips binding Karl’s legs and wrists.

“Give me the gun,” Karl said. He rolled away from the chair and held out his free hand. The white cloth had turned red already, and blood dripped across his eye.

“I can’t,” she said. “My hand’s acting up.”

Karl nodded. “It’s good to see you. Thanks for coming.”

“You’ve got to be less cryptic, you know that.”

“It was the only way to make them think that I had an implant with their data.”

“I don’t follow.”

“I didn’t lose any of my brain. I just got a supplemental implant. The accident was the best thing that ever happened to me.”

“So what’s in the canister?”

“Their data. Both of you thought the opposite. Donahue over there thought he was getting rid of me, but actually I’m getting rid of him. And Jimmy DeCataur into the bargain.”

“Now,” she said, “I’m beginning to remember why I left you.” She recognized the other man now. One of the partners from Karl’s law firm.

“Yeah.” Karl’s hand zipped up and grabbed her hand. He pulled her around a little and squeezed, aiming for Donahue.

Nothing happened.

Damon came back in, carrying a plastic box.

Karl crushed her hand in his.

“I don’t think you’re going to be able to shoot him,” she said. “My prosthetic’s a little gummy.” She pulled her hand away and stood. “And even if it wasn’t, you still aren’t strong enough.”

Karl winced.

“Thank you,” Donahue called.

“Shut up,” she said. “Or I’m going to shoot you myself.” She looked down at the dead man. That was going to take some explaining.

“I, um… got the kit,” Damon said. He opened the lid.

“Sure,” she said. “Slap a bandage on him and let’s get out of here. We’re going to need to give a statement to the cops.”

“Don’t be stupid,” Karl said. “I’m done here. We could go to the Caribbean, the Azores. My treat.”

Melinda shook her head. She grabbed the first aid kit out of Damon’s hand and shoved it at Karl. “Sort yourself out. Paramedics will be here soon. And we’ve got to give this to the police.” She held up the canister. “It recorded everything, I think.”


 


If you wanted a copy to keep, “Let’s Go Find Karl” is available in ebook directly from the website – seanmonaghan.com – and also from the usual places for ebook, and in print from Amazon – click this link to go choose your favorite retailer.

Free Fiction Fifteenth – Let’s Go Find Karl – Coming May 15th

Each month I put up one of my stories here to read for free. Last month it was the Captain Arlon Stoddard story, “Sea Skimmers”, and coming in May I’ll put out an oldie, but goodie, “Let’s Go Find Karl”. A fun little heist tale.

Descend into the depths of a diabolical world of deception and double-cross.

Melinda has a snippet of Karl’s brain and she needs to join it up with the rest of him.

If only she knew where he was.

A brain-bending surreal story of love, loss and little litigation.

 

If you missed “Sea Skimmers”, you can pick up for free at the website by using the code Skimming26 at checkout. Use this link. Valid through until May 15th (when the “Let’s Go Find Karl” goes free here.).


My Captain Arlon Stoddard Adventures series now has twelve novels. It was fun to write them all, and I’ll admit that I do have some favorites among them.

Along the way I’ve written a few short stories and a couple of novellas. Both the novella “Ortanide Steppers” and the story “Sea Skimmers” have been out for some time now, but I’ve been tardy getting the further short adventures out.

The plan is to fix that this year.

You can check out the whole series at the Captain Arlon Stoddard page on the website. And keep an eye out for a new story “Arkevarka Chasers” available to purchase from April 26th.

Thanks for reading.


Sea Skimmers – blurb

Experienced Captain Ulliana Alvis loves skimming above the forty-five hundred kilometer stretch of the Tegh Sea. Her vessel the Mourave carries fifty passengers in safety and comfort. The calm of the water always reassures and moves her at once.

But safety can be an illusion.

A Captain Arlon Stoddard short story that pits the crew against cascading events and into a desperate attempt to save lives.

A great place to jump in if you’re new to the series, and a wonderful addition for fans.

 

Into The Last Stretch

My Wildest Skies Kickstarter now has less than 24 hours to run, and it’s already been successful beyond my wildest schemes – 365% percent funded as I write this. I’m very grateful to all the folks out there who’ve support the kickstarter, whether by backing it or sharing it or both

 

 

 

 

 

The backing has been so amazing that all of the stretch goals have been unlocked – a bonus short story, two novellas and a novel.. Had I known, I may have prepared more out there.

There’s still time to grab some high octane adventure sci-fi – back the Kickstarter before it closes at 5pm Friday NZ time/ 9pm Thursday Pacific Time / 5am Friday UK Time (I know!)

Thanks again for all the support

Wildest Skies Kickstarter – funded

 

 

A quick update here on the Kickstarter – we funded in the first eight hours which surprises me since this was my first time out. The campaign has even blown on past the first stretch goal, so in addition to the rewards, all backers will now get an ebook of “Problem Landing”.

I appreciate all those who have backed so far. I’m humbled, really. Thank you.

The campaign runs through until April 3rd, so there’s still time to grab some rewards. A whole bunch of great reading there.


While I’m rambling away here, I’ll mention my thanks to those folks who read “Water Robot” here on the blog for Free Fiction Fifteenth. I hope you enjoyed the story. There are more coming – the next story will be up on April 15th.

That Old Familiar Feeling

Once again I’ve started in on what I figured would be a short story – a contribution for an anthology no less – and discovered that the story kind of really wants to be a novel.

Many of my novels have started out as short stories.

In a way, no surprise this time, since it’s a science fiction anthology and the theme is Megastructures – objects that are just vast. So, yeah, I guess my subconscious wanted to explore that large concept on a larger scale.

The anthology’s call is for a length somewhere between 3000 and 7000 words, and the new piece is already closing on 20,000.

And as if my subconscious is letting me know that it’ll get way bigger, the heroes haven’t even gotten to the megastructure yet. They’re just on their way. (More details might be considered spoilers, so they’ll show up when the book is available).

Mostly my novels come in at around 60,000 words, so I might be a third of the way there… then again, some have gone longer.

And the trick is I still have to circle back at some point and get a story in for that anthology. Under 7000 words.

In the meantime, there’s a lot of work ahead. I’ve whipped up a draft cover for the book, but it will be some time before it shows up. Maybe with a different title, maybe with a different image, but certainly all about intrepid explorers finding out all they can about a megastructure.

Guaranteed to be fun.

 

Endings

Writing endings can be tricky. They’re kind of like a TV or movie actor hitting their marks, without looking at their feet for those bright physical pieces of tape on the set floor.

I think I work as hard on my endings as I do on my openings. Sometimes the endings are straightforward, and other times they’re a little more tricky. Most times, they take a few run throughs-like an actor doing another take of a scene to get all the elements down just right-until they’ve got it just right.

Sometimes, too, you’ve just got to say ‘cut’ and be done. When you’re in there changing words back to how they were the first time. I’m under no illusion that any of my stories are perfect. They are all though, the best I could so at the time with my current skill level. I always go for the best ending, but different stories have different requirements. Different genres likewise.

Of course, this railing about endings stems from a couple of recent books where I felt the author had made some poor decisions. One, the character had been transported to a fantasy world and had adventures and grown and left behind her horrid life here, only to have the ending where she was arbitrarily yanked back here, with no evidence that anything would have changed. It was jarring and off-putting.

Another feature that seems to be creeping in is ending a book on a cliffhanger. To my mind, cliffhangers are useful at the end of a chapter, but off-putting at the end of a book. As in, to find out what happened, you need to buy the next book. For me as a reader, that’s broken trust. How do I know that the next book won’t end likewise? I think the writer’s job is to write a good enough story that of course I want to read their next book.

These examples have actually put me off. Why bother with those authors again when there’s plenty of good reading out there.

Of course, taste plays a role here. Those authors have strong followings and have won awards and find themselves lauded and feted. Not for me, though.

I love an ending that’s uplifting and satisfying. An ending that resolves things for the characters, and perhaps even suggests a life for them beyond the story’s end.


Well, having ranted, there a little perhaps, I will mention that I have a new science fiction story collection out this week. Heads Up includes seven recent SF stories of varying lengths. Details here on the website. Also available from your favorite retailers.

Heads Up

Big Adventures

An epic collection of mind-shattering stories that vault across the cosmos.

A woman looking for her father. A crew trapped on a bizarre planet. A researcher stuck inside her models.

And More.

Seven blistering stories of calamity and catastrophe, all with a deft human touch.

Includes the acclaimed time travel novella “Chasing Fox Palton”.

A fascinating collection from award-winning writer Sean Monaghan, author of the “Wildest Skies” series.

Cover image © Adobe Stock.

 

Thanks for reading,

Sean

Wildest Skies Kickstarter coming in March

Back in 2024, my novella “Wildest Skies” appeared in Asimov’s Science Fiction. It was a fun story to write. So much fun, in fact, that I found myself writing a whole lot of other stories. Some of these have been published and are available from the website: www.wildestskies.com.

But there are others, and the original novella, and it seemed appropriate to bring all of them together in a collection.

First up, the collection, with a bunch of other rewards, will be released on Kickstarter late in March – check out the prelaunch page here. You can follow it to be notified on launch. That will be around about March 25th.

They’ll be out on general release from the usual retailers later in the year.

Eleven adventures, a mix of short stories and novellas. Something for everyone. Well, if you like your science fiction nail-biting and with high stakes.

And in the Kickstarter, they’re available both as standalone ebooks, or all together in the complete collection volume.

I’ll update here closer to the time, but feel free to check out the pre-launch page.

Cheers

Sean


Oh, and as thanks for reading, and to encourage you to enjoy these stories, here’s a discount to get the story “Landing Protocols” for free on the website:

Enter the code LandingProt26 at checkout and the we’ll send you the ebook for free.

A blistering sci-fi tale of rockets gone wrong and pilots driven to their limits.

And beyond

When astronauts Ed and Giselle embark on a routine lunar training mission, glitches and worse demand quick thinking and brazen improvisation.

Because in lunar orbit, things happen fast and hesitation costs vital seconds.

A Wildest Skies story that gives new meaning to breathless.


 

 

The High Wire Artist

I mentioned in a recent post about how I enjoy not knowing too much about what’s coming when I’m planning on watching a movie or starting in on a new book. I should add as a contradictory corollary, that I do have some favourite movies I will watch again and again – where I pretty much absolutely know what’s coming.

But in that post I mentioned that when it comes to writing blurbs for my own books, that I work hard to ensure that I don’t give too much away, but do write enough to entice readers.

The balancing act. I like how the high-wire walker in the photo here has still got safety cables attached. You wouldn’t get me up on one of those things, but sure as eggs I’m confident that the smartest of those people have safety cables carabinered on.

Here’s my practise a blurb for “Mech Variant”, a Wildest Skies story coming out later this year.


A brutal and challenging tale that pits common sense against survival instincts.

Galactic explorer Ed Linklater wants a quiet moment enjoying planet Gladioll’s sweet, restful scenery.

To bad the scenery lies in the firing line.

A high-stakes emotional roller coaster of a story that takes no prisoners.

 


Do I give too much away there? Not enough? Have I straddled the balance of revealing enough to make someone sufficiently intrigued to read the story, but not so over-informed that they won’t bother?

As with anything in writing, I’ll just keep learning and keep striving.

 

image: Adobe stock. Book cover image © Grandeluc | Dreamstime

 

In Praise of Not Knowing

Note -the IMDB pages about the movies I’m discussing contain details that would be considered spoilers, in the context of what I’m writing about here.

I think I’ve written before about how I too often find book blurbs and movie trailers too revealing. As in, containing plot spoilers. How often have you watched a trailer and felt like you’d seen the whole movie?

Now, I do know that the makers of these trailers are experts at pulling disparate parts of a movie together to create a kind of flow within the trailer that creates a different story that’s distinct, perhaps even distracting from the movies true story. Still.

Long ago I watched a movie called “The Girl With All The Gifts“, on the basis of seeing the title and the movie poster (which as I recall was different from the poster on IMDB). I had no idea that it was a particular kind of movie, and didn’t realise for quite some time way through the movie – because it was well-crafted and neatly told.

Had I watched the trailer and read the blurb, I think I would have enjoyed the film less (something backed up when I was at a writers’ convention and the title was mentioned-I hadn’t know it had orginated as a book-I said what a great movie it was, to receive some murmurs of disdain from some others who had clearly read the book and found the movie wanting).

Now recently I watched another movie that I enjoyed, titled “Hurry Up Tomorrow“, again on the basis of the poster – well, the Netflix title card which showed a woman standing in front of a burning house. That was enough for me. There’s a whole bunch of story in that single image. So I watched the movie.

It started out weird, but went along the kind of off-beat, arthouse trajectory of many movies I’ve enjoyed in the past. Just plain odd. Well-made, well-lit, surreal and, for the most part, engaging.

I did not know that the lead actor is a well-known singer, and the story follows a vaguely autobiographical arc, with many liberties. I knew of him, but didn’t really know his music or his story. Afterward, I followed up, and read some more. Now, this guy’s music is not really to my taste-I had a listen to the sountrack album and some other songs. That’s okay. I like the movie.

Then, still following up, I found out the movie bombed at the box office. That it was critically panned, as self-indulgent and essentially an extended video for his latest music.

I didn’t get that at all. I just enjoyed a weird movie with an odd structure. If I had know all that ahead of time, I suspect I would have enjoyed it less.

What would I know, though?

I guess I’m just coming at this saying that, however my brain works, I like not knowing too much ahead of time. At least when it comes to entertainment.


Oh, since I’m supposed to be using this blog as a promotion tool for my writing, I should mention that my Yearbook 2025 is out now, both in print and as an ebook. This is a lot of reading-130,000 words-for not too much coin-$9.99 electronic.

 

 

 

The First Annual Collection by Sean Monaghan

A treasure trove of great reads, filled with compelling, mind-bending fiction.

Includes the Full novel The Ingersal Ballet, the Award-Winning novelette “Daisy and Maisie, External Hull Maintenance Experts” and more, including “Sigrid’s Eagle”, “Caprock”, “Mangled Gravity”, “Peruser”, “Heading for Boise”, “Lying Cameras”, “The Quiet Hours”. And the never before published Morgenfeld story only available here, “The Diorama”.

With an introduction and an afterword by the author.


I think I’ll do a follow up post in the near future about working on my own blurbs so that they give away just enough of the story to get the reader intrigued, and not enough to put them off.

The High Wire Artist.

Thanks for reading.

Sean

 

Movie ticket image: Adobe stock

The Yearbook, and other monsters

Finally making an effort to show up here and make some updates on the writing and publishing trajectory through December. It’s been a cool month. Three big publications – “Chasing Fox Palton” a new novella, Sean Monaghan’s Yearbook 2025 and “Barnacle” a new Venus Vulture album.

Let’s start with the Yearbook, since, among all that nuttiness, it’s probably the nuttiest.

A Yearbook. This is a 600+page collection of various publications from 2025. Short stories, novellas and even a complete novel. With afterwords and an introduction.

One unique story, “The Diorama”, never before published… because I realised after I’d written it, that it kind of had spoilers for the novel The Ingersal Ballet, so should not appear alone (it follows the novel in the volume, with an introduction recommending readers don’t even look at the story until they’ve finished reading the novel).

I guess this book is in lieu of writing a list of my year’s achievements here on the blog (but that was publishing six novels, sixteen short stories – including stories in AnalogAsimov’s and Pulphouse, four novellas and some occasional blog posts). A busy year I guess. I’m planning something even busier next year.

The contents of the volume are:

Sigrid’s Eagle (Traditional fantasy short story)

Mangled Gravity (Contemporary fantasy novella)

Heading For Boise (Horror flash fiction)

Caprock (Thriller short story)

Peruser (Cole Wright thriller short story)

Daisy And Maisie, External Hull Maintenance Experts (SF novelette, also winner of Analog’s Anlab Award for best novelette)

Lying Cameras (Contemporary fantasy novella)

Visit Me, Oh Dreamer (SF short story)

The Quiet Hours (Morgenfeld short story)

The Ingersal Ballet (Morgenfeld novel)

The Diorama (Morgenfeld short story)

All of which are still available individually (save for The Diorama which as I mentioned, I realised after writing it, contains spoilers for The Ingersal Ballet).

Releasing on December 31st the Yearbook retails at $9.99 for the ebook – find your favorite retailer here. The paperback will be $25.99.

Also directly from the website here seanmonaghan.com immediately.


I also have a new novella out – a mind-bending time travel tale “Chasing Fox Palton”.

In a twisted and tangled world, Time Operative Haylee Dahlen just wants to find the crook Fox Palton.

And no one knows exactly what Fox Palton wants.

A vast story of come-uppance and betrayal that stretches across the decades and centuries, with a pace that defies time itself.

From the author of the quirky time travel tale “Can You Outrun a T-Rex?”

$3.99 from the website here. Readers of this blog can use the code FoxP50 to get it for half-off ($1.99) – thanks! Code expires on February 28th 2026. Use it wisely.

Other retailers here, including paperback from Amazon ($14.99).


As a sideline, I also create soundscapes and ambient music as Venus Vulture. The latest release, just out on December 12th, is Barnacle. 40 some minutes of drifty, loopy drones. Available from Bandcamp, priced at $7. Also on vinyl from Elastic Stage, a little more expensive there at around $38, plus shipping. Both sites let you listen to the tracks for free, so there is that.


So that rounds out 2025. Big plans for 2026, including, once again, being present more often here (as in, rather than one big post about a bunch of releases, doing individual posts). I’ve tried that before and fallen over. I do, however, have some better structures around out for next year.

Thanks for reading.

Sean