My June challenge: write a novel

Arlchip Burnout cover 10 small

Well, at the risk of making a fool of myself, I’m going to attempt writing a novel in June. And update with my word count as I go.

Now, I’ve written novels fast before – as little as forty days. But thirty days? That’ll be something new.

I know about NaNoWriMo. I know plenty of people take that challenge successfully. Right now I figure why wait until November?

Also, my plan is to write good copy. No sloppy writing to be fixed-up later. I want it as clean as possible so there’ll be minimal revision needed.

The novel I’m attempting is another in my Karnish River Navigations series. There’s just one book, Arlchip Burnout, available at the moment. I have the second and third written already and in the process of first readers and copyediting and so on at the moment. I hope to have the second book, Canal Days, available in a couple of months, followed by the as-yet-untitled third book a month or so after. The fourth, Guest House Izarra (working title), upon which I’m now embarking perhaps soon after that. If I can get it written and knocked into shape those might be October, November and December releases (notice how I let myself off the hook a bit there?).

As I work on this new novel, I’ll update periodically (weekly?) here with wordcounts.

Writing Guest House Izarra:
Wednesday June 1st: 2478 words
Thursday June 2nd: 2154 words

Wakers – New story coming out in August Asimov’s

ASF_JUNE2016_400x580 Well, this is the cover for the June issue, but I’ll post the August cover when that issue comes out… with my story “Wakers” inside.

Here’s the blurb from the Asimov’s website:

In Sean Monaghan’s tense August 2016 novelette, unforeseen dangers have disrupted an interstellar journey. Although the work of self-sacrificing astronauts has kept the spaceship running for hundreds of years, the voyage may soon be permanently altered by fresh “Wakers.”

I’m looking forward to it. Keep an eye out for the issue. It should be out in early July.

Fifty-six submissions

fcrop2I’ve made fifty-six story submissions to various magazines this year. This is the first year I’ve actually kept track and I’m kind of surprised. I knew I kept my stories out there, but I didn’t realize I was sending that many.

A few weeks back, when I’d made about forty submissions, I thought I’d post here when I hit fifty. Except that over the last few days I got a bunch of rejections and the number leapt. Some markets respond very quickly.

I didn’t write fifty-six stories. In fact I’ve only added four new stories to the mix this year. But anytime a story comes back, I send it off again to another market. I think this is fairly standard practice. I’ve heard of writers who make changes and edit on the basis of feedback, but I avoid that. Best to keep it moving to find the editor to which the story is most suited.

In that mix of statistics, I’ve had seven acceptances, and still have twenty-five stories under consideration.

Slowly I’m filtering stories out of the cycle as they age. I throw them to the wolves of Apple and Amazon and other retailers. On occasion readers find them. Even after all that time, I’m honored they find an audience.

I don’t know how the picture relates, but I kind of like it. Bugs crawling around fungi out at Totara Reserve (photo taken by me).

The Cly – now available

The Cly front cover thumbI seem to be lax in yelling out when I have a new book available, so I’m going to see if I can stop and just go ahead and post. Last week I mentioned my forthcoming publishing plans, including for my new novel The Cly.

I am writing and publishing a lot this year, so I guess it’s easy for me to forget to mention things in a practical, right-brained way (practical is right-brain, right?). While I’m fairly good and writing (as in, I spend a lot of time on it), I still need to learn an awful lot about marketing and business (writing is way more fun, so I spend a whole lot less time on marketing and business).

So The Cly is my longest novel in awhile – a shade under ninety thousand words. Mostly I’m clocking somewhere just north of sixty thousand. Initially I thought it would hit that shorter length, but the plot demanded more action and more resolution.

Here’s the blurb:
Tony Brock saved humanity once. But in the mess, he lost his relationship with his daughter.

Now the Cly pose a new threat. A threat that might destroy the Earth itself.
And the aliens won’t negotiate.

So Brock’s back in the thick of it. Chasing them down, and chasing the faint hope of seeing Bex one more time.

An alien invasion novel with a difference.

I should mention the wonderful cover illustrator – Luca Oleastri. Thanks for another great image.

Available from most ebook and print book retailers (ask at your local bookstore for the print version – all 500 odd pages of it).

ebook $5.99
Nook
Kobo
Smashwords
Kindle

Paperback $22.99
Amazon

The weeks ahead – publishing plans

The Cly front cover thumbRight now I’m busily preparing three books for publication. I’d like to have them all out by the end of May.

The first, my new novel, continues to trip me up. First, the title was not my working title, but that title doesn’t work. Titles trouble me (sometimes, more on that below). It seems the best one here is the name of the alien species (following Jack Vance’s novels The Dirdir and The Pnume, and doubtless many others.

Also the tag line (another thing that always trips me). “Earth on the verge of annihilation”. Sheesh, really. Well, that’s kind of what it’s about. Kind of.

And then, putting “Aurealis Award Finalist” on the cover by my name. Hmmm. It’s true, I have been a finalist for the award (lost out to Garth Nix there, so that’s okay). But is it okay to put it there when it wasn’t for this story? I guess I’ve kept it by my name, rather than by the title. And many authors do have all sorts all over their covers. Am I bragging too much there? Or in the right way? Should it say “Aurealis Award Finalist Author”? But then I’ve got “Author of Gretel” right underneath and doesn’t “author” twice in tags look silly?

Despite doing this for a few years now, I’m still second-guessing and learning and trying new things. I do like the cover – courtesy of Luca Oleastri/Innovari.

The other two books are stories, one a small collection and one a big collection. The first is titled “Celeste Without Gravity” and the other “Listen, You!”. I do like Celeste’s title (following on from above), not sure about the other.

Anyway, The Cly will be out by the end of this week, Celeste sometime next week and, all going to plan, Listen, You! the following week.

All in time and out of the way to get the next novel Athena Setting (my darling, see previous posts) out in early June.

The Writer as busker

Stone Goddess UpdatedI’ve been self-publishing/indie publishing for about four years now. Learning as I go. Kind of like a busker or a street performer. Out in public practising. Getting better as I go, I hope. Taking courses and reading books and learning all the time, too.

On occasion, some kind reader buys one or other of my stories, like tossing money into a buskers cap. It’s encouraging. I hope they enjoy the stories they purchase as I practise in public.

With the learning, as soon as I feel I’ve got a handle on the writing, I seem to discover some new technique or approach. Often things that seem obvious. Right away I incorporate that into my writing, with various degrees of success. When I look back over my stories, some I’m very proud of, others seem to have been written by a different person.

The other key thing I’m learning is business. That’s a much tougher road for me. I don’t think I’m a natural entrepreneur, so I have to concentrate. I have to make an effort to take those risks, invest some cash, and push into those realms that are a whole lot more uncomfortable.

One of the things I’m beginning to look at are some of those older stories, with bad covers and terrible blurbs. Case in point: Stone Goddess. It was a fun little story I wrote some years back. It got published in an anthology titled Horror Through the Ages from Lame Goat Press. No monetary payment (at the time I was fine with that: I was happy to be in print). It also got a podcast at Cast Macabre (and seems to be still available, for free). Again no monetary payment.

At some point along the way I realized that giving stories away was not a path to making a livelihood (slow to catch on, I know).

I started putting my stories up on Smashwords, Kindle, iTunes, Kobo, Nook and so on. Even putting some of the longer ones in print. I did my own covers. I wrote my own blurbs. Learning all the time.

Now, I’m going back and gradually updating some of those older works with some of the things I’ve learned more recently. So “Stone Goddess” has a new cover. To my embarassment, I’m putting the old cover next to the new. I like the new one better.

Original cover image by me. New cover image by © 1971yes | Dreamstime.com

I’ve redone the interior too, and added a couple of other stories to fill it up a bit (“Stone Goddess” is kind of short) for some value for money. A new blurb too:

Top Mars researcher Ben James loves getting out into the field. Under the stars. Into the dust and stone.
But today something’s amiss. Something’s out there. Calling to him.
Something he’s got to find.
Even if it means breaking every protocol.
A short story from the author of The Molenstraat Music Festival. Includes three bonus Mars stories.

I think it could still use some work, but I dare not show the old blurb (omigosh amateur ramblings).

The story is pretty much available at your favorite ebook retailer. I’m thinking about making a print version (though it’ll be slim). If you’ve read this far (thanks) here’s a coupon for a free copy from Smashwords. Click here and enter the following code:

Promotional price: $0.00
Coupon Code: XH22Q
Expires: April 26, 2021

Five years was the longest I could set the coupon for. I think you have to create a Smashwords login – if you’d like a copy without all that palaver, just let me know here.

All that said about going back, I am continuing to go forward. Trying to write better stories. Working on having consistent covers. And writing sensible, engaging blurbs.

Busking.

On writing Athena Setting

Athena Setting (1)Back in mid-April I commented on Dean Wesley Smith’s blog post about choices. I realized that actually my comment fitted with my own blog and, in fact, could stand expanding.

When I was a teenager and wanting to be a writer and writing lots, I also drew covers for novels I would write someday.

It was kind of self-encouragement: in those days I had no idea how to write a novel. But it was cool to have a pretend cover with my name on it. In the intervening years I might have learned a couple of things about how to write a novel and I’ve practised plenty by writing a fair number of them.

So in January of this year, wondering what to write next, I remembered about that teenage dream. You know what? I sat down and wrote one of those novels. Now I have a book for my cover. Athena Setting. About a space mission gone wrong, a trapped crew about to plunge into Jupiter’s atmosphere while the would-be rescuers struggle to come up with a workable plan.

I will, of course, write a more attractive blurb for the release.

Naturally, I also have a new cover for my book (that pencil scratching would look out of place, and it seems is in fact long gone). A wonderful image by Mik3812345 sourced from Dreamstime.com. I’ve tinkered with that a little. I think it helps tell the story. I do think I’ll update that tagline too – maybe “One hundred hours till rescue, ninety hours till impact” which kind of sums it up a little better.

The novel should be out around the end of May (maybe early June) as both an ebook and in print.

But after saying all that, let me tell you, I had such a fun time with the writing of the story. I got to be that kid again. It might not be my best novel, but I hope my sense of fun and adventure comes through. The kid in me can’t wait to hold the book in his hand. And try out writing another one.

 

Environments – experimental music compilation from Scriptsound Recordings.

environments - ArtworkI’m pleased to have the Venus Vulture track “A Sidelong Glance Reminds Jeanne of the Time She Lost Her Keys” appearing on the ScriptSound Recordings “Environments” compilation. This is a new venture for me – into some darker and busier sound work – and I’m pleased to say I feel right at home with the other artists there. Some familiar names too – nobodisounz, December Nighskies (thanks Kendall for the pointer).

It’s a free download from archive.org.

Full Tracklist:
1. La Horde Poliorcétique – Berthelot
2. A Sidelong Glance Reminds Jeanne Of The Time She Lost Her Keys – Venus Vulture
3. If I Were Invisible – Ricky Tesla & The Noise Generator
4. A Temporary Thing – Ricky Tesla & The Noise Generator
5. Spirits At The Crossroads – Ian Quiet
6. Consumed By Midnight – December Nightskies
7. Strangers In A Foreign Land – Ricky Tesla & The Noise Generator
8. Low Matter – nobodisoundz
9. Liberation – Dr. NoiseM
10. Abandoned Machinery Succumbing To Nature – Ricky Tesla & The Noise Generator
11. Esthetique Des Publicites Lumineuses – Painful Defecation
12. Matanza – 5ebuts
13. Sleepless Hysteria – Sir Edgar Carpenter

10,000 words and counting for April

honeydew

As I think I’ve mentioned elsewhere in my mutterings, I make sure to write every day. I also have a word-count target every day. The target gets flexible: I’m aiming for a half million words of fiction for the year, which spreads out to around 1373 words per day (it’s a leap year, that spreads it even thinner).

So far I’m ahead of my target. Well ahead, in fact (169,000 completed, averaging around 1725 words a day). I did have some days with no other commitments and wrote over 5000 words on each of those, so that’s helped bolster the tally. Fewest words on a day was February 10th with just 503 words. Don’t recall what got in the way that day.

It’s great having my momentum up – I recommend it, in fact. Already in April I’ve gone over 1500 words each day, with a high of 1815. That high was the day I finished a novella and started in on a new novel. 10,000 words for the first six days of April. Pretty good for me. Best of all I’m having fun.

Venus Vulture track on Behemoth Compilation

behemoth20various20artists20compilation20coverKendall Keeler of December Nightskies has put together another compilation of ambient and dark ambient tracks.

Behemoth has 21 tracks by various artists, including my own Venus Vulture track “Components From Air Filter Residue, Daytona Speedway, February 2016”. One of my longer pieces – a little over 14 minutes – that I hope covers a lot of ground, while still being very unobtrusive.

I also sneak in with a Shadows on the Snow (my collaboration with Kendall) track “The Snake is on the Prowl”.

This follows Kendall’s Leviathan compilation from October/November last year. Many of the same artists return. This is shaping up to be a fine series of eclectic sounds. I’m honored to be a part of it.

Behemoth tracklisting – total time is almost 3 hours
1. BERTHELOT – La caverne du Behemoth
2. December Nightskies – Heaven Or Hell
3. Ari Porki – A Great And Mighty
4. Sean Derrick Cooper Marquardt – Short Poem For Aretha Cooper
5. eisenlager – NCC-1701
6. Venus Vulture – Components From Air Filter Residue, Daytona Speedway, February 2016
7. Everything From Nothing And Head Joint – The Revolutioner’s Dream
8. Gun Urrainn – Discontact
9. Globoscuro – The Glowing Eye Of NGC 6751
10. Something Like Squids – Imaginary Fireflies (Excerpt)
11. Pixyblink – Observer J
12. nobodisoundz – blakk solarsolstice
13. Shadows On The Snow – The Snake Is On The Prowl
14. Hilyard – Exodus
15. Robert G. Rough- 42 Days (Part 3)
16. CNTV – Renace
17. December Nightskies With Scott Lawlor – The Judgement Of Satan (Excerpt)
18. Mach Feedback – A Fool For Illusions
19. Oystein Jorgensen – Cold Wave
20. VAULT – Presents for Katherine
21. Sir Edgar Carpenter – Perversis