Author: Sean Monaghan

Writer. Voracious reader.

Above the noise

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I’ve been experimenting (if that’s the right word, since I lack a control run) with indie publishing some of my previously published stories that I hold the rights to, as well as some new stories. To begin with I’m putting the stories up with Smashwords since their system is fairly straightforward, and it pushes the items out to other books stores.

Yesterday I uploaded a new story, under a pen name. By today there have already been another 200 or so items uploaded to smashwords (their site loads chronologically, so the latest uploaded item comes to the top – it’s easy to see how quickly you get bumped down the list). How do I, as many writers are saying, rise above all that noise?

Here’s how I see it, with my limited experience. Most of those items aren’t competing with mine – there are self-help books, music scores, young adult novels, romances, free how-to guides and so on. Lots of the rest have lousy covers (sorry to those enthusiastic writers, but seriously, the cover can make a difference). My covers do feel a little rough, but I think I’m doing an okay job with them (especially Lizard Brain). Of the rest, there’s often a dreadful description – something like “Gwilliam the forest gnome makes posies for the fairy picnic, but he’s lost his hat and the kettle’s on the boil so he has to hurry home”. I’m still learning about writing a good blurb, but I want to write something that gets a reader’s interest, not just glosses over the story.

I’m learning and practising, and I think that’s part of the rising above – keep striving, keep writing better, keep thinking. I don’t know why, but an odd story I put up last week, with a very rough cover (low resolution and lumpy), and a quick description is my second-most downloaded (samples only, sales are slim, as in zero) item: more than some items that have been up for more than a month. There might be some things to learn there, I think.

Disclosure – 3am Persledt Eight = 14 sample views since December 13th, Suitcase Nuke = 13 sample views since November 10th. I think Suitcase Nuke is a better title, but who knows. I take another look at the blurb. Maybe that pen name works better than my real name. This is all experimenting anyway.


Momentum

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A couple of days ago I posted about my word-count goals for 2012. Funny thing about going public with goals – it boosts your incentive. My goal is 300,000 words written next year. That’s about 1000 words a day for every writing day I have available. Yesterday: 2000. Today: 2000. How about that? I’m surprised. It’s a while since I’ve written so much without actually being on a writing retreat. Is that sustainable? I’d hope so, but I’m not going to burn myself out. I guess a revised plan is to still head for 300,000 next year, but revise in July. If I’ve hit 300,000 by then, I won’t be kicking back and playing on the beach for the rest of the year. I’ll be fixing on writing another… well who knows right now?

Meanwhile, I’m still putting up previously published and new stories with Triple V Publishing – I’ve just published Big Banger Rentals under the byline Michael Shone. Dieselpunk. Adventure. Action. Priced at 99cents.

2012 writing goals

~ Sean Monaghan ~ 1 Comment

Following Jeff Ambrose’s post on his word count goals, I’ve been looking at what I’m keen to achieve in 2012. Similar to Jeff, I can write around 1000 words an hour, though with a full-time job, and a part-time job (which I may or may not have again 2012), I’m pretty committed time-wise. Add in family time and so on I figure I can manage to write like this:

1000 words a day. Some days it will be 2000, some days – as when I get to take a retreat – it might be 8000), but say an average of 1000 words a day. That’s finished, polished, ready to publish words. I’ve been thinking about some of the things Dean Wesley Smith has to say about too much rewriting and revising, and realize that many of my stories are strongest in their first-draft version and that too much polishing might strengthen the writing, but weaken the story. I’m going with story and will trust my writing to be coherent. I will still have readers, do proof-reading and spell-checking. This does contradict what I said in an interview with Shells Walter, but I guess I’m coming from a new place now.

365 days in the year. Tutoring takes four blocks of three weeks. I write a little bit during these periods, but not enough to count on. So that leaves 280 writing days.

280,000 words then. Okay, I’m going to make that 300,000 – a bit more of an even number to shoot for. For twenty days I’m going to have to write 2000, rather than 1000 words. In some ways it sounds kind of low – 1000 words is easy, but I liked the thoughtful way that Jeff was very practical about his goals, figuring in a little bit of life as well.

300,000 words. How will I spend that?

If I write two novels at 75,000 words, that’s 150,000. A couple of short novels at 25,000 words – novellas, I guess – so that’s another 50,000. Say five long stories at 10,000 and ten short stories at 5,000. That’s 300,000. Some of the stories will be shorter, some perhaps longer. Maybe one of the full novels will be 60,000 words. I’ll keep at that target of 300,000, adding in some stories as I go.

I know some of the stories I want to write. Three for short story contests in New Zealand (actually all have word limits around 3,000 so there is a little space for more stories). Four stories for international competitions. Stories to sent to the pro mags, and some to put up with Triple V Publishing.

I have ideas for the novels, enough to write an outline and get underway. Once I have a start point, and an end in mind I’ll just go.

I guess I should do monthly progress reports too.

Anyway, thanks Jeff and Dean, for helping to point the way.

3am, Persledt Eight – new pulp sci-fi story by Len Stone

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I’ve been writing some pulp stories under the name Len Stone. “3am, Persledt Eight” is a hard sci-fi romp that twists and turns a little. This is the first of several Bren Taylor stories – Taylor is a fix-it man, but sometimes gets more than he’s bargained for. The story is available now as an ebook through Triple V Publishing – 99 cents. It’s a little over 8000 words. It starts like this:

___________________

“Situation?” I said as I picked up the phone. No one calls at 3am unless there’s a problem. I have no family left so no heart attack was worth disturbing my sleep.
“Taylor?” the voice said. Joe.
“Situation?” I said again. He knew it was me. Making an urgent call then messing around did not endear me. I could be sleeping.
“The BonOrbit facility. A patient ran amok and now they’re trapped.”

__________________

Update, December 16 – changed the cover – the first one felt a bit washed out. This one is grainier, but the colours are more dramatic.

The Room – new supernatural thriller coming next year

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Once Rotations is published, I’ll be focusing attention on my next novel. The Room is a full-length novel that grew from a flash fiction story – Don’t Sleep Downstairs, originally published at Flashes in the Dark.

This is the rough cover. I’ll do a little tinkering, but this is pretty close to what I’ll be running with. It should be out early 2012 – depending on when Rotations makes it to the shelves.

Rotations – back from copyediting

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My sci-fi thriller Rotations has just come back from copyediting. Now I’ll be going through it changing, updating, deleting and, possibly, getting grumpy (as in “How dare she think I should delete that!”).

Right now I’m nearing the end of a round of edits on my next novel – The Room (more on that soon) – so in a couple of days I’ll put that aside and get stuck into Rotations and whip it into shape. At the moment looking at getting it published by Christmas.

Jodi MacArthur at Beat to a Pulp

~ Sean Monaghan ~ 1 Comment

Jodi MacArthur has a new story published – Free Mercury – at the very cool Beat to a Pulp site. The story is a wonderful exercise in voice: layered, entwined and scary. Recommended read.

_______________

Sun is high in the sky. Hot. Red hot. Flies buzz around it like a pile of bullshit. I stare, watching the flies buzz around and around.

Sirens break out behind me. I look at the road through the cracked windshield. I see I’ve swerved all the way off the road, all the way on to the grass.

Deadstick – Short story for 99 cents at Smashwords

~ Sean Monaghan ~ 3 Comments

Triple V’s first short story ebook release – Deadstick – is now up at Smashwords. Read the first 20% free.

“Deadstick” came from a fairy story I’d conceived, about a burning sailing ship running aground off a fairy village and the problems ensuing. A very different thing to how this dieselpunk story turned out. For a moment I thought of having a pair of stories, one fantasy and one sci-fi, both using that same device. This story, however, wrote itself very quickly, while the fairy one still sits in my head, not quite ready to pour forth. Perhaps it will come to me one day.

Deadstick was originally published in the Static Movement anthology Oil.

Drafts and drafts and drafts

~ Sean Monaghan ~ 2 Comments

Lately I’ve been following the blogs of Kristine Kathryn Rusch and Dean Wesley Smith – if you’re a writer, you should be following them too: filled with wisdom and great ideas and, wonderfully, they do not suffer fools gladly. They are husband and wife, and run WMG publishing, and used to run Pulphouse publishing. They blog about the publishing industry, and sometimes seem to contradict each other (Smith says he can’t see a reason to hire a professional editor, Rusch says go ahead and get one), which is fine, I’m gleaning gold from both. My novel is getting professionally edited, but I’ll stick some stories up from having a single reader and a proofread.

Smith is doing a challenge this year to write and publish 100 stories. He writes them, proofs them and publishes them. I’ve bought and read the one of them (so far) – “On top of the dead” – and it was pretty good. Not perfect, not gemstone polished, but it was a story and, seriously, I enjoyed it and was engaged from start to finish. Isn’t that what counts? The study guide I teach from states that the fiction’s only rule is that it must compel the reader.

When I was interviewed by Shells Walter earlier this year, I was asked about my advice to beginning writers. I said that your first draft is not good enough, probably not your second draft either. Now I think I’m inclined to agree with Smith, though with a caveat – Smith is no beginner. He’s published around 90 novels, over a hundred short stories, teaches and has run publishing businesses and worked as an editor. I guess he knows his way around stories. Something he’s noted is that students don’t necessarily improve their stories on the second and third drafts, and often make them worse (I’m paraphrasing here, but I don’t think I’ve misunderstood – though don’t quote me as having quoted him). On occasion I’ve noticed that with my students, though that said, sometimes the final story for the year is a much improved version of the original.

So, should I edit this blog post, or just let it out with a simple proofread? What, you saw a typo?

From time to time my stories can be dreadful. I don’t need a reader to tell me that. I put them aside, come back and really they’re not working. I rewrite from scratch. Now, that usually works and I get something I’m happy with – Where there’s water took a couple of runs at before it was working. A current story – Sleeve Tattoo – is at a second draft stage and I know there will be wholesale deletions, some extra bits to write and so on to make it work. Other times I do write quickly and the first draft needs tightening, proofing and seems ready to go. Back from Vermont was like that. So was Deadstick. Both got published out in the real world. One of the keys is to know when it’s just not working, and I’m still learning that.

I’m not that much younger than Smith and Rusch, but certainly by comparison I’m a fledgling writer (though my first publication was more than 20 years ago, and I have published over 100 stories, I’m still earning a living from tutoring and librarianship). I’m learning lessons and growing as a writer. With my new publishing venture – Triple V Publishing – I’ll start electronically republishing some stories that have only been in print anthologies, and then, taking a lesson from Smith, perhaps start writing and publishing stories right away.

Deadstick – the first Triple V story, will be out soon. It was one that was written fast – over a couple of weeks – and came out pretty much how I wanted it, with a few changes (though in it was originally conceived as a fairy story, it became dieselpunk – more on that closer to release).