These Things Are Illusions in Trunk Stories

Trunk Stories is another print anthology from Static Movement and editor Chris Bartholomew – an anthology of lost and forgotten stories.

My story – one of the longest I’ve ever had published at around 8000 words – was written about five years ago, went to a few publishers, and didn’t make it to print. I still like the story – about an older stepbrother visiting a blended family, initially grating on everyone, but eventually enthrally his younger stepsisters with an adventure story – and I’m stoked to see it in print.

Trunk stories is available from Amazon and also (at a discount, with reduced shipping for $ break spending) from the Pill Hill bookstore.

The heart of marking …

My posts here have dried up a little, but I’ll be back soon, ranting and reviewing and linking. Marking is one of the funest things I do, but it’s something I do in my free-time, so somethings fall by the wayside. Mostly no TV, no movies, little of my own creative writing and pretty much no blogging. Part of my goal this year was to blog at least four times a week, but with a couple of hiatuses, that’s perhaps been a little less.

Still, grading papers is cool and it’s a good way to engage with other writers in a different way to the blog. I’m around three quarters of the way through now, with a deadline of Friday next week, so after that I should be back and adding to the morass that is the world of blogging once more.

Pylon Suite – Venus Vulture soundscape on Zenapolae

A new Venus Vulture soundscape release doesn’t come along that often – the last were “Heavy Skies” on TurkbyTone Rekkids and “Stick With Me Giselle, Things Can Only Get Better” on Testtube, both in the first quarter of 2009. So after a year and a half of near-silence I’m excited to have a new extended piece released.

Released on the Zenapolae netlabel, Pylon Suite is a set of four tracks, making up a continuous thirty-eight minute movement. The set is deep and brooding, based on a long field recording (which wafts in and out through the album), together with long ambient drones. The tracks share elements, but progress, gradually becoming more complex – track four is the busiest (well, as busy as ambient drone music might be). Probably good to listen to at low volume while taking a bath or reading a horror novel.

The fabulous cover art was created by Arnd Klotz, based on photos I’d taken around the time I was composing the music.

Heading for Boise – flash fiction at MicroHorror

MicroHorror, run by the most esteemed Nathan Rosen, writer, musician and editor, publishes flash horror fiction no more than 666 words long.

My recent piece Heading for Boise appeared on the site on October 6th. This has some of my favourite (perhaps over-used) elements – fragmented narrative, shifting viewpoints, flashbacks, a car wreck and a bit of a haunting. I was pleased with the results but still I hope it’s still readable and makes sense to readers other than me.

The Path to Centauri in October 10Flash

My quirky sci-fi flash “The Path to Centauri” is in the October issue of KC Ball’s quarterly flash fiction magazine. 10Flash publish ten flash fiction pieces in each issue, all around a common theme. October’s theme is “stop me if you’ve heard this one” – as it implies, the issue is filled with some pretty humourous stories.

I seem to have a lot of publication announcements at the moment – one of those convergence things. I have a couple more to announce next week too, but then I should be back to my usual self of ranting about politicians and global warming.