Category: fiction

January

~ Sean Monaghan ~ 2 Comments

I’ve been fortunate through January, with several days with no other commitments – work, family, etc. – where I’ve been able to focus on writing, so my word count goal has been achieved. Actually, more than achieved. Turns out that I’ve written this year’s first novel. I started on January first (after writing the last few scenes from a novella started in late December), and finished the last two chapters and epilogue this morning before heading to work (this morning being February first). 63,000 words – a couple of thousand a day through January. That’s pretty good, but I’d say I’m unlikely to keep that pace up – still, it’s a good start towards the aim of 300,000 words this year.

Being a pulp fiction writer now (from reading Dean Wesley Smith’s blog), it’s now on to proof-reading before I decide what to do with it – publish right away as an ebook and POD, or submit to a publisher.

Given how impatient I’m feeling at the moment, self-publishing is looking more likely. At the moment I have just two novels available as ebooks and it feels like it would be useful to support those with a few more.

I don’t have a title for the novel yet, but I’m sure that will come in my first round of proofing before I get someone else to proof it. It’s an adventure story set on a jungle on a distant planet with a lead character with artificial eyes. It was fun to write, and I hope it will be fun to read. I’ve created a rough for the cover, but we’ll see what I end up doing with it in a couple of weeks anyway.

Now, on to writing a short story (an entry for a New Zealand literary competition), another sci-fi story (Writer’s of the Future entry) and another novella under a pen name. Then I’m going to write another literary novel for the New Zealand market. It’s good to feel the plan outlined and have a feel for the way ahead.

~ Sean Monaghan ~ Leave a comment


Perhaps in a little contradiction to my posts over the last couple of days, I’ve put my literary story “Canyon Rim” up through Triple V. The story is not pulp. It is literary, as much as I write literary pieces. There is a story to it (a man’s search for safety), but it is perhaps as much an exercise in voice. It’s written with a focus on language and rhythm. Have I succeeded? I hope so.
I tutor for a university course in literary fiction and some of the tenents include ideas such as “fiction’s only rule is that it must compel the reader”. As a literary course, it’s focus is as much on language as on story – the idea that we do thirst for language and that the nuances of skilled writers can tantalise and draw us forward with deft and bold touches.
I do admire literary writers and their skill with language. Too often, though, it seems that the cleverness with language becomes too much the concern and that compelling aspect is lost (on me, at least). I like a balance: strong and articulate language that remains readable, with a true story and engaging characters.
Canyon Rim is perhaps as close as I will come with literary works, though I have a few others up my sleeve that will likely show up over time. Squeezed out in between the pulp (if that makes any sense).

Here’s the opening
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Ernie Freiden had been born to a Canadian father and an Australian mother. Both had been vacationing through the national parks of Utah and Colorado when they met in 1982. Shirley had quickly abandoned the German tourist she’d been traveling with, and taken up with Thomas, in Moab, near Arches National Park. The German, Shirley later told Ernie, though through into his adult life he heard different and increasingly unlikely versions of the story, had flown back to Germany, almost immediately, and years later had been crushed to death in a museum accident by a part of the Berlin wall he was helping to put on display after the reunification.
Thomas, Ernie’s father, had quickly (though not as quickly as the German’s departure from U.S. soil) had his name abbreviated to Tom, and complained little about that, after all Shirley was as decisive a woman as Tom had ever encountered and what was a slight adjustment to his name in comparison to her company?

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The story is scheduled for publication in the Static Movement anthology Sleepwalkin’ and Picklockin’ sometime in 2012 and I’m grateful to editor Chris Bartholomew for releasing it to Triple V so it might garner a few readers in the meantime.

Why write pulp?

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Following yesterday’s post, I’ve thought about why I’m writing about writing so much so fast.

Believe me, I do enjoy literary works, well, mainstream literary. Richard Ford, John Irving, Richard Russo, Anne Tyler, Jane Smiley, Annie Proulx are among my favourite writers. I enjoy the nuances they are able to bring to their writing, their skill with language and narrative. I have written, and even published, numerous literary stories, where I’ve polished and honed the words, where I’ve edited out sections or rewritten entirely from scratch, and often I’m proud of those pieces.

That said I’m having fun just writing pulp. Now, I’m not saying my writing is especially good (the reader can judge that), but I’m focusing on the story and trusting that my writing will carry it. What I’m finding currently is that as I go I’m paying more attention to the words where before I would have thought, “Well, I can fix that later in revisions”. Part of this comes from finding over the last year that my stories seemed stronger on their first draft without too much tinkering, part comes from reading about other approaches. Dean Wesley Smith has a good post here about not revising until a story has become just white paste.

Not interested in white paste. Looking for story. That’s why I’ll be writing pulp fiction for a while yet.

Word counts, goals and publishing

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Around Christmas, following on from Jeff Ambrose I created a word count goal fro 2012. 300,000 words, from 300 available writing days. Just 1000 words a day. As I wrote rapidly for the first week, I realised that I needed to add a couple of things to keep myself going, focused and effective.

Firstly that 1000 words is a minimum. In the first couple of days – January 1st and 2nd – with no other commitments, family, work or otherwise, I wrote 5500 words each day. It would be simple to think that, well, that’s the first eleven days worth knocked off. Nah. Better to reset the counter each morning. So, it’s been a good first week (close to 20,000 words), but this week I’ll be shooting for 1000 words a day again. Each and every day. BTW, a writer friend did suggest I make sure I don’t burnout on that. Can’t see it, but I will monitor things, definitely.

Secondly (and this is for readers more than writers) that’s got to be 300,000 publishable words. Not just spouting, not just rushing to wear out a keyboard. I saw that writing volume is one thing, publishing is another. So that’s my promise. There will be good stuff coming out. Not to say that it’s going to be perfect and nuanced and highly literary – these days I’m more of a pulp writer (though I do tutor in literary craft, and have written and had published numerous literary stories) – but it will be entertaining and readable and compelling.

I have several stories scheduled for publication in various print and online journals, which amounts to arout 50,000 words (as well as several reprints, but I think I should do this without relying on reprints). I have another 60,000ish out on submission to publishers, with another big story heading out this week. If those get rejections all around then I will indie publish them. I feel in good shape.

I will also have to create time for editing, revision, proofreading, reading other writers, editing anthologies, etc.

Habitat – Young adult novel available on Kindle and elsewhere

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My young adult/middle grade (as you will) novel Habitat is now available through Triple V Publishing – on Kindle and other ebook sites. $2.99 download, and I’m working on a POD version which should be out soon.

“Seve Brigham’s dream opportunity – a cadetship to work on the huge orbiting Habitat – is about to turn bad. Very bad. The station is an unfinished mess: behind schedule and under-staffed. Then there’s the alien voice in Seve’s head. And thieves are trying to steal the whole station. Seve needs to look sharp and think fast.”

Habitat is a backlist title. Originally published on BookHabit – one of the first ebook sites. BookHabit sold it’s inventory to SmashWords, but at the time I was busy with other things (and disappointed with the lack of sales – zero – and the complicated set of hoops to jump through to format it for SmashWords), so it fell into limbo.

Of late I’ve been learning about formatting – seriously not that big of a deal – and about indie publishing. With my newly edited novel Rotations (more on that soon) just released from Lucky Bat Books, now seemed like a good time to bring Habitat back to light.

The year that was… a reflection on publications

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A banner year for me, even though I didn’t quite reach some personal goals, I have redefined and taken some new and very positive directions with writing and finding a readership. This year I published 21 new stories and 4 new poems, as well as having 5 stories reprinted (last year, 2010, I had 59 publications, without counting reprints, including a few poems). Fewer flash fiction pieces – I’ve been writing much longer now. This year I’ve written a 95,000 word novel, four novelettes, and numerous long stories. Many of these have been published (including the novel – more on that next week). I’ve been indie-publishing many of my previously-published stories, as well as some new stories, through Triple V Publishing, and will look to continue that next year (as part of my goals for 2012). A couple of highlights were getting published in a New Zealand literary magazine (Takahe) and in Andromeda Spaceways Inflight Magazine.

Many of my publications were with the ever-friendly Static Movement, and I’m also in the process of editing three anthologies for them too.

Next year – onwards, less making music, less TV, less goofing off, more novels, more long stories and more writing. I have 5 acceptances for new stories coming out in 2012, as well as another 4 reprints.

By the way, the picture here is for the Static Movement anthologyAlternate Dimensions, that includes my story “Imaginary Maid Forgets She is Late for a Banquet”.

Memory and notes in writing stories

~ Sean Monaghan ~ 1 Comment

I woke up twice during the night with story ideas. I scrawled them on the notepad I keep by my bed. I have loads of ideas for stories – far more than I will ever have time to write. Sometimes the ideas are lousy, sometimes a little better. Sometimes my choice of which idea to pursue is lousy too – chasing an idea that seemed to be one of the better ones, but turned out to be not so much. One thing I try to do is make a of note ideas when they come to me.

Stephen King seems to discourage this – suggesting that if an idea is good enough for a story, then he’ll be able to remember it. Good luck to him with that (said to the tune of “omigosh I envy his success daily”). Me, I’m able to forget someone’s name before I’ve even finished shaking their hand. Perhaps the story ideas I’ve forgotten were the really, really lousy ones, but I have built some stories I’m proud of from those kinds of scratched out 2am ideas. If you’re so inclined, you could read “Airpocket” (a 600 word flash story, so readable in the message from our sponsor breaks in your favorite sitcom) – that’s a story that started from a midnight waking and note.

Remember those dogs in the movie UP? So focused on their mission, but easily distracted: “Find Doug. Find Doug. Find Doug. Squirrel!” At least they get back to their mission. I’m more like: “That’s a good idea for a story. Oh, look that store’s having a sale. Where did this guy learn how to park? Huh, she’s attractive, pity about the dress-sense. Did I lock the front door? Oh what was that story idea I just had?” I’m glad I keep a notebook handy.

Will last night’s ideas produce viable stories? I don’t know about that, but at least they’re down on paper rather than stuffed and lost somewhere in my somewhat unreliable memory bank.

Sticky feet and merry christmas – more on word count goals

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1000 words a day, huh? This morning, 6am – my prime writing time (and Friday seems to be the only morning of the week where I can write in a guaranteed no-interruption space). Sleepy headed (really shouldn’t have stayed up to watch SGU last night, perhaps, though it is the only show I watch, even though it seems to be fading as the final season winds on), and distracted by trying to create a new cover for a YA novel (rendering in the background, tinkering in the foreground), I managed around 660 words. Fortunately I should have another block of time in the evening (coming up) to march through at least another 340 words. Today’s goal seems secure.

I’ll blog weekly (rather than daily) about the count goals now.

Above the noise

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I’ve been experimenting (if that’s the right word, since I lack a control run) with indie publishing some of my previously published stories that I hold the rights to, as well as some new stories. To begin with I’m putting the stories up with Smashwords since their system is fairly straightforward, and it pushes the items out to other books stores.

Yesterday I uploaded a new story, under a pen name. By today there have already been another 200 or so items uploaded to smashwords (their site loads chronologically, so the latest uploaded item comes to the top – it’s easy to see how quickly you get bumped down the list). How do I, as many writers are saying, rise above all that noise?

Here’s how I see it, with my limited experience. Most of those items aren’t competing with mine – there are self-help books, music scores, young adult novels, romances, free how-to guides and so on. Lots of the rest have lousy covers (sorry to those enthusiastic writers, but seriously, the cover can make a difference). My covers do feel a little rough, but I think I’m doing an okay job with them (especially Lizard Brain). Of the rest, there’s often a dreadful description – something like “Gwilliam the forest gnome makes posies for the fairy picnic, but he’s lost his hat and the kettle’s on the boil so he has to hurry home”. I’m still learning about writing a good blurb, but I want to write something that gets a reader’s interest, not just glosses over the story.

I’m learning and practising, and I think that’s part of the rising above – keep striving, keep writing better, keep thinking. I don’t know why, but an odd story I put up last week, with a very rough cover (low resolution and lumpy), and a quick description is my second-most downloaded (samples only, sales are slim, as in zero) item: more than some items that have been up for more than a month. There might be some things to learn there, I think.

Disclosure – 3am Persledt Eight = 14 sample views since December 13th, Suitcase Nuke = 13 sample views since November 10th. I think Suitcase Nuke is a better title, but who knows. I take another look at the blurb. Maybe that pen name works better than my real name. This is all experimenting anyway.


Momentum

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A couple of days ago I posted about my word-count goals for 2012. Funny thing about going public with goals – it boosts your incentive. My goal is 300,000 words written next year. That’s about 1000 words a day for every writing day I have available. Yesterday: 2000. Today: 2000. How about that? I’m surprised. It’s a while since I’ve written so much without actually being on a writing retreat. Is that sustainable? I’d hope so, but I’m not going to burn myself out. I guess a revised plan is to still head for 300,000 next year, but revise in July. If I’ve hit 300,000 by then, I won’t be kicking back and playing on the beach for the rest of the year. I’ll be fixing on writing another… well who knows right now?

Meanwhile, I’m still putting up previously published and new stories with Triple V Publishing – I’ve just published Big Banger Rentals under the byline Michael Shone. Dieselpunk. Adventure. Action. Priced at 99cents.