New Shoes, Old Eyes – in Poetry on Palmy

My poem New Shoes, Old Eyes was third equal in a local competition here, and has now been published twice – once in The Tribune, a community newspaper, and again in the Urban Care Poetry on Palmy booklet. It’s neat to have a placing and be published.

Occasionally an author loses control over formatting – usually not a big deal, and editors often have better ideas. Unfortunately in both printings of my poem the formatting has been changed and some of the impact of the poem is lost. Sometimes with poems the first line is also the title – as with Medusa Medusa, so there is a repetition. Other times the title is quite distinct – as with Carnival Cage. The latter is the case with New Shoes, Old Eyes – even if in the booklet the title is not bolded and seems to be the first line, it’s not meant that way – the rhythm is different and it would work better if, as with most of the other poems in the book, if it was in bold and separate.

In both printings the poem appears as a single stanza – without the stanza breaks. As Tim Keeton pointed out with Medusa Medusa, the breaks “make the lines more impactful”. With New Shoes, Old Eyes, those stanza breaks are part of the cadence/rhythm of the poem.

Anyway, enough griping. Here is the poem as I’d intended it to appear:
.
.

New Shoes, Old Eyes

Returning to your frigid grid
of fragile kerbs
and surly kids
where turbined hills
spill spun white glass
above the river’s
placid parks,

I stride straight streets
in crisp new shoes,
cross blocks of grass
and tarmac spurs
to find the clipped green

box now sculpted
trusted
rusted
numbered
and

circuited,
like the slick
stockcar track
by boys and girls
born since
I left.

.
.
Certainly it’s a poem about Palmerston North – aimed at the competition, and loaded with stuff familiar to locals.

Seducer poem

I’ve put a “flash” (as in written really fast, minimal editing) poem – Medusa Medusa at the Undead Poets Society site. I couldn’t help riffing on the same ideas and cadence and have just “flashed” this one up too. I guess it’s kind of related to the UDPS one …

Sensual Medusa
would you accuse her
or bind her and braid her?
Could you mislay her
misplace her
disgrace

your well hidden
eyes,
mirrored, uncertain
uncoiling her lies
succumb to her treasure
between glistening lights
then
slice off her head
to put her to bed

These are both pretty loose and rough. Perhaps one day I’ll pull the pair apart and make something more worthy from the broken remains of both. So much writing to do …

The Forest of Hands and Teeth by Carrie Ryan

Carrie Ryan‘s young adult novel The Forest of Hands and Teeth is perhaps one of the most extraordinary works I’ve read all year. This horror novel is remarkably literate and astonishingly well-paced. Somehow Ryan manages to balance an unusual setting and circumstance – an isolated village – with conflicted relationships – Mary, betrothed to Harry, loves Travis his brother while Cass, Mary’s best friend, betrothed to Travis is keen on Harry (sounds straightforward, but really it’s not and it really adds an enormous level of tension to the book). And, though it’s amazingly well done, it’s a zombie novel, even if the word “zombie” is never used in the text. Actually, the unconsecrated, as they are known, provide a somewhat evil backdrop to the controlling religious order which governs life in the village. Be prepared – the novel is harrowing and intense and a great character and relationship study.

Cool – in checking out Carrie Ryan’s details, I’ve discovered there is a sequel, and a third book coming. Ryan’s also got some stories in anthologies which seem to be set in the same milieu (okay, actually, I think I’d like to see some of her writing set outside that – she’s such a precise and crafty wordsmith that it would be good to see what she’d do with other stuff. Like vampires).

Writing furiously

I have a few stories nearing completion, and one submitted today to a New Zealand print magazine. I am writing furiously at the moment, energised and enthusiastic. I have my YA novel draft ready on the desk to start working on, and looking forwards to the next tutoring deadline, just two weeks off.

Two new Fibonacci Sequence Poems

Two of my untitled “Fibs” have just come out. One [Childless Couple] in issue #6 of Muse Pie Press’s journal The Fib Review, and the other [Thin] on the Undead Poets site.

A Fibonacci poem is based on the Fibonacci sequence, with lines of 1, 1, 2, 3, 5, 8 syllables. The main page of the Fib Review explains it much better than I can. The device makes for some neat poems, and some of the other wonderful poets in the current Fib Review are doing some mind-bending stuff with it – check out Horns by Mark Arvid White – extraordinary.

Savvas Ysatis and Taylor Deupree – The Sleeping Morning

I listened to The Sleeping Morning, a 21 minute ep, last night while I edited a new story. Two of the four tracks include vocals, which is a bit different to the usual stuff from 12k, and different to what I’d normally write to, but it works. The tracks are quite distinct, minimal and controlled. Ysatis and Deupree have worked together a lot over the last decade or so, with some long gaps – this came out after quite a long gap (many years), and they have worked again more recently on another piece – hourglass – which is available on vinyl, but also (as with Sleeping Morning) as a download through itunes. Definitely worth checking out.

Missoula Night Hikes – new werewolf story on Flashes In The Dark

My story Missoula Night Hikes has been published at Flashes In the Dark as part of Lori’s lycanthropy contest. Missoula is my hometown’s sister city, but we don’t have wolves here and they figure in the story (well, wolves aren’t really around Missoula so much, but they might wander down from that other country north of the US whose name escapes me). It was fun to write, trying to build tension and hint at werewolves. There are some awesome entries in the contest, all definitely worth checking out.