I love nano bots 🙂
…and yes, I promise to contibute more next week, or even in the next few days.
Sci-Fi, Thrillers, Contemporary

Sutemos is a Lithuanian netlabel, releasing a variety of music, but specialising in electronica. A good introduction would be any of their Intelligent Toys compilations – the latest is “We Make Music” – described as “Style: Ambient/ IDM/ Experimental/ Instrumental/ Techno”. 51 tracks, divided into three “CD”s. You can stream any of the music from the website.
Lately I’ve been listening to the 2005 10-track release by Stockfinster – All Becomes Music. Unusually for me – with music to write to – this has vocals, especially the haunting title track, where the build is gradual, the voice-over eerie and refreshing. You can both stream and download the release for free. The release (as with other Sutemos releases) comes with a cool rotating gallery of photographs – example at left.
This is another odd piece – not set in any previous universe, but perhaps in something I’d like to explore more. What if there was an analogue transport network, linked like the synapses in the brain, and spanning the globe, making transport quicker the way jet planes altered the way we travel? Ganglion Trains is my little caper story where I begin having fun in this concept.
Thanks to Scott at The Fringe for taking this story, quirky as it is.
Flashes in the Dark has published my story Akio Draws Manga. A shorter piece – under 800 words here – and an odd tale, perhaps a little supernatural, perhaps even a little sci-fi, but certainly psychological. Akio grabs a pen when he can, draws up quick, prescient sketches, while battling giant demons.
December’s issue of Static Movement (again with a wonderful illustration by Lee Kuruganti – very Christmassy) includes another of my magic realism stories, or perhaps magic punk. Bottled Sleep is kind of about a magic shop, kind of about destiny. The story is set in the same universe as my flash fiction story Jacob’s Naked Aquarium that appeared earlier this year in Bewildering Stories.
With a cool little illustration by Romeo Esparrago, my short piece Hard Suit Lock is out now in Planet Magazine. Hard-shell space suits (see Wikipedia note on the suits here) have advocates, versus typical NASA fabric suits, for various reasons, but ultimatly soft-suits have won out. There’s something a little more fifties sci-fi about the hard suits: think of those old covers of pulp magazines from the fifties with people in suits like armour. Similar, perhaps, to the deep sea diving suits, but slimmer. Apparently NASA is working on a variety of semi-hard suits – see their page here, but these are different to the suit Andreas locks up in the story.
And, this is another story featuring my character Bayliss, who’s also appeared in How Things Fall, Redcord Macro-Nano Engine in Error State and Xuento (in Kings of the Realm).
Well, it’s not an Arizona novel, but Kansas feels near enough – certainly in terms of ranching and wide open landscapes, so for me that’s a big part of the appeal of Nancy Pickard‘s novel. Similar to Ray Robinson’s Forgetting Zoë, which I reviewed a few posts back – note even the similarity of the covers (though this is the UK cover – the edition I read – the US cover is slightly different).
And as with Robinson’s book The Scent of Rain and Lightning involves a crime, and the solving of that crime. Structurally the book is unusual, and challenging – opening in the present time, with the memory of the murder and some sudden changes coming from that – then dropping back to a time shortly before the original crime, in what it would appear to be a quick flashback that gradually becomes the main part of the novel.
With rising tension – we know the crime is coming – Pickard expertly delays and delays, delving into the family and their situation, making the murder almost inevitable. When, far into the novel, we’re returned to the present time, those sudden changes – the release of murderer from jail – take on a whole new context, and give the story a whole different, though inevitable direction. The ending is unexpected, the story-telling tight and fast, the atmosphere evocative.
This book is perhaps more in the realm of crime writing than Robinson’s, though both bear similarities. It is an engaging, tight read, and I’ll be looking for more of Pickard’s books.
Don’t Sleep Downstairs is another of my Arizona stories, my on-going love of the place coming through, in its own odd way. With a bleak old farmhouse and a visiting painter I hope I’ve captured something of character and of the feel of the place. It was fun to write and I hope it’s fun to read.
Thanks to Lori and Bob at Flashes in The Dark for publishing the story.
Nothing much to report for the week – actually not blogging so much lately anyhow. I’ve put up a new eighty second video at the Venus Vulture YouTube site. Just some angles and spinning with a quiet ambient drone soundtrack.
More posts next week.