Left to Chance – flash story reprint

My crime flash story Left to Chance originally published online in the wonderful, brutal and gritty Powder Burn Flash, has just been reprinted in actual print in Shalla Magazine number 4. It’s nice to have something in print – I can actually hold it in my hand (well, when it arrives in the post).

I generally don’t send stories out for reprint, but had an invitation from the editors for that story.

Eight-eyed bot

Just a quick sketch, but I’m sure this thing was tapping on my window last night. It was really tiny, say the height of a golf-tee. I think there was only one, but there may have been an army. (oh yeah, click on the picture for the full-size image, which is 8 times life-sized).

12k – a perfect introduction

I am an unabashed fan of Taylor Deupree’s 12k label – an imprint that focuses on minimal music, but has evolved over the years. I frequently listen to Shuttle358, Sawako, Steinbruchel and others from the roster as I write. Taylor has made an hour-long mix of tracks For all the things we did in May which has just come out as a stream on Fluid Radio (of which I’m also a fan). The mix is wonderfully low-key, beginning with one of my favourite pieces, Shuttle358’s “Gone”, then progressing fairly organically through tracks I’m familiar with, and some I’d never heard.

A wonderful introduction to 12k’s roster and style.

Mayan Moon by Derek Bullard

Mayan Moon surprised me, delivering much more punch and fluidity than I had expected. I bought it through Amazon, taking a chance, since the author had asked me about using some Venus Vulture music in his book trailer (full disclosure: he did use the music – see the trailer here [nb. not an affiliate link – I don’t get a kickback]).

The book took me by surprise for something from a small press. It can be a bit hit-and-miss with small press books: too often they’re vanity volumes written by friends and relatives (or the press-owner). Then again, big publishing house books can be a bit hit-and-miss too (even with name authors).

In Mayan Moon, the writing is compelling, the action fast and the set-pieces well orchestrated. My one quibble was that the phonetic spelling of some character’s accented dialogue was a little over-done and distracting.

The hero – Jordon – is something of a classic, damaged, anti-bureaucracy loner and he drives the action well. Told in three parts the novel cleverly blends contemporary thriller, with science-fiction and classic archaeology (read “Indiana Jones”) adventure. While characters are not guaranteed survival, the plot does stitch up neatly and in timely manner.

Actually, in terms of reading for writing, I like that structure – the three parts, each with a slightly different tone, but all interdependent, make for a surprising mix of genres. Each part is around 100 pages and that seems to be a length I can write easily while longer is sometimes a struggle. I might just try writing something like this, with distinct yet interrelated parts.

Flat out, but posted a new poem

This is just a progress update, I guess. Marking is in full swing with the courier dropping off early papers to grade. I’m busy writing parts two and three (and four?) of a serial for a publisher who’s interested in seeing where the part one led (and now I’m surprised by how big it’s growing). I’m also drafting a few flash stories, and have some longer drafts I’m coming back to for revision.

Meanwhile I’ve just put a new flash (ie written fast with minimal revision) poem up on the Undead Poets Society – read it here: Silver Bullet Blues.

NNTS – Stroll compilation

Mark from NTNS radio – a show on Still Stream an internet ambient radio station, has made numerous compilations of creative commons recordings, available for streaming and download. Stroll is an eclectic mix of sometimes busy, sometimes very quiet pieces, that runs the length of a decent CD – full disclosure: Stroll includes a Venus Vulture track from Heavy Skies. Certainly for me that is part of the appeal – to hear my own track in a different context, next to pieces by different people.

Stroll is one of four sets making up the best of NTNS radio from April, May and June 2009 – the others, Meander, Trip and Cruise, are all similar in length and tone, all easily available and very listenable.

I’ve burned Stroll to CD and fire it in to write to – after all the reason I first began making ambient music was because I couldn’t find enough readily available to listen to as I wrote (the Internet has really changed that – there’s more than enough now). It was great over the weekend to listen to an hour and a quarter while I worked hard on a longer, pacey dieselpunk story – it was just the right kind of laid back but still edgy kind of music to really help keep the words flowing.

New Shoes, Old Eyes – in Poetry on Palmy

My poem New Shoes, Old Eyes was third equal in a local competition here, and has now been published twice – once in The Tribune, a community newspaper, and again in the Urban Care Poetry on Palmy booklet. It’s neat to have a placing and be published.

Occasionally an author loses control over formatting – usually not a big deal, and editors often have better ideas. Unfortunately in both printings of my poem the formatting has been changed and some of the impact of the poem is lost. Sometimes with poems the first line is also the title – as with Medusa Medusa, so there is a repetition. Other times the title is quite distinct – as with Carnival Cage. The latter is the case with New Shoes, Old Eyes – even if in the booklet the title is not bolded and seems to be the first line, it’s not meant that way – the rhythm is different and it would work better if, as with most of the other poems in the book, if it was in bold and separate.

In both printings the poem appears as a single stanza – without the stanza breaks. As Tim Keeton pointed out with Medusa Medusa, the breaks “make the lines more impactful”. With New Shoes, Old Eyes, those stanza breaks are part of the cadence/rhythm of the poem.

Anyway, enough griping. Here is the poem as I’d intended it to appear:
.
.

New Shoes, Old Eyes

Returning to your frigid grid
of fragile kerbs
and surly kids
where turbined hills
spill spun white glass
above the river’s
placid parks,

I stride straight streets
in crisp new shoes,
cross blocks of grass
and tarmac spurs
to find the clipped green

box now sculpted
trusted
rusted
numbered
and

circuited,
like the slick
stockcar track
by boys and girls
born since
I left.

.
.
Certainly it’s a poem about Palmerston North – aimed at the competition, and loaded with stuff familiar to locals.