Daniel Pecqueur – Golden City

I’ve been thoroughly enjoying Golden City, a series of graphic novels in French by Daniel Pecqueur. First admission – I don’t understand French, just the occasional word: certainly not enough to follow the dialogue or prompts. The art, however, is extraordinary and very sci-fi, so it’s suiting me and where I’m at. I’m finding that I’m doing a lot of science fiction world building in my writing of late and these kinds of illustrations of unusual planes and boats, of underwater suits and giant cities, are all stimulating my imagination. These are the kinds of pictures I’d love to do of the worlds I’m imagining, if only I could draw even fractionally as well. In some ways the pictures remind me of a cleaner, crisper version of Moebius from the eighties. Pecqueur’s action and sense of composition is wonderful – even understanding hardly a word of it, I’m thoroughly engrossed and entertained.

Two new Fibonacci Sequence Poems

Two of my untitled “Fibs” have just come out. One [Childless Couple] in issue #6 of Muse Pie Press’s journal The Fib Review, and the other [Thin] on the Undead Poets site.

A Fibonacci poem is based on the Fibonacci sequence, with lines of 1, 1, 2, 3, 5, 8 syllables. The main page of the Fib Review explains it much better than I can. The device makes for some neat poems, and some of the other wonderful poets in the current Fib Review are doing some mind-bending stuff with it – check out Horns by Mark Arvid White – extraordinary.

Iron Man 2

I went to see Iron Man 2 last night and I would say that it’s mixed and fragmented. Some moments are superb, others lackluster. The action didn’t live up to my expectations, there were too many baddies and the story seemed to drift around without real urgency (perhaps a bit too much set up for an Avengers movie?). I guess I like my action flicks simple – one big threat, escalating danger and lots of stuff blowing up. When I start noticing continuity glitches (the angle of the box of strawberries on the table) then I know I’m not fully engaged.

The highlights, however, were anytime Robert Downey Jr and Gwyneth Paltrow were on screen together – the dialogue is busy and natural, their characters so real and fluid: those scenes alone made the movie worth seeing.

Certainly some of the effects are extraordinary, but given that just about anything can be done digitally now I guess I’m getting harder to amaze. I went with a mate, who loved it, says it’s better than the first, so it’s all just opinion anyway.

Date Night – maybe not

No writing for reading post this week – my reading is just going way too slow and I’ve been hard at work on a 5000 word story with a deadline of tomorrow, and trying to do that review.

We thought about going to Date Night – should be a good date movie right? I think Steve Carrell and Tina Fey are both amazing. But then I read that it’s their performances that save mediocre material. Uh-oh. Then I saw that the director also directed Night at The Museum. Now that’s one of the few movies I’ve stopped watching, and fairly early on at that. Usually I can stand almost any old dross, but Night at The Museum just didn’t work for me at any level. I’m perhaps the only one, since it made a ton of money, enough apparently to justify a sequel. Anyhooo, I’ll save my $14.50 and maybe check out Date Night on DVD in six months.

Savvas Ysatis and Taylor Deupree – The Sleeping Morning

I listened to The Sleeping Morning, a 21 minute ep, last night while I edited a new story. Two of the four tracks include vocals, which is a bit different to the usual stuff from 12k, and different to what I’d normally write to, but it works. The tracks are quite distinct, minimal and controlled. Ysatis and Deupree have worked together a lot over the last decade or so, with some long gaps – this came out after quite a long gap (many years), and they have worked again more recently on another piece – hourglass – which is available on vinyl, but also (as with Sleeping Morning) as a download through itunes. Definitely worth checking out.

To double feature or not.

Sometimes it works, sometimes not so much. So I watched Alien versus Predator, which, although a bit light and breezy (and filled with factual inconsistencies) still has some cool elements. Then, right after that I watched Aliens versus Predator Requiem.

Hmmm. So AVPR has its problems, but does have some cool elements too – I do like the dark forest with face-huggers. I’m not sure that it works so well as part two of a double feature. Maybe I should just watch it stand-alone with the commentary.

Another time I watched Pitch Black – one of my favourite low-budget movies. Again it has some problems and some logical inconsistencies, but it’s fun for what it is. Then I watched The Chronicles of Riddick. Hmmm, again. Riddick has its problems and its cool elements (I like the opening chase, with the bearded Diesel, and some of the prison scenes), but as a double with Pitch Black, I can’t recommend it.

What would I recommend? We stayed home to watch Stone of Destiny followed by Moon. Both intense, character studies, but wildly different – different enough that it’s easy to stay engaged. Another time, last year, I think, we saw The Hangover, followed by Inglourious Basterds. We had meant to see Bruno, but had misread the movie schedule, but had organised the time, so chose The Hangover – probably enjoyed it more since we had low expectations and it was better than those. When we got around to seeing Bruno, didn’t like it as much. Hmm. Anyway, back to that combo – Hangover then Tarantino – certainly no boredom, both such different movies, and both above average (though I struggle with Tarantino at any time … though he did do the Grindhouse thing, which I never saw). I wonder how that mixing up would work though for movies I’ve seen before and want to revist on DVD? I guess I’ll try it sometime – Bull Durham and AVPR, or Pitch Black and Wedding Crashers. Or maybe not.

Missoula Night Hikes – new werewolf story on Flashes In The Dark

My story Missoula Night Hikes has been published at Flashes In the Dark as part of Lori’s lycanthropy contest. Missoula is my hometown’s sister city, but we don’t have wolves here and they figure in the story (well, wolves aren’t really around Missoula so much, but they might wander down from that other country north of the US whose name escapes me). It was fun to write, trying to build tension and hint at werewolves. There are some awesome entries in the contest, all definitely worth checking out.