Hol Baumann – [Human]

On high rotation over the last couple of weeks has been Hol Baumann’s [Human] from ultimae records. As I’ve written before, ultimae’s catalog is a little more beat-driven than I would usually listen to, and [Human] is probably at the upper end of beats in my collection. That said, why I’m enjoying it, and enjoying writing to it, is that the album is still very atmospheric – the beats fade off into the background and quiet melodies shuffle forwards. At times it’s edging into world music – a woman singing in a language I don’t recognise (on the song called “Radio Bombay”, so perhaps it is Hindi). I guess that part of writing to music is avoiding music with lyrics I can understand – those words would distract from the words I want to put on the page: I’m seeking atmosphere, and the human voice can create haunting senses … this is an album filled with atmosphere and drive.

I plugged the album in at work for a while and a colleague thought for a moment that it was Massive Attack – so perhaps that’s an indication of the style and tone of Baumann’s album. Again, as with other ultimae releases, this is in a beautiful package – a three-fold digipack, with a 16 page booklet filled with stunning photographs. And a mini “hidden track” too, after a few minutes of silence in the final track.

If you want to sample Baumann’s music, this is his last.fm stream.

Igneous Flame – Intox – gorgeous ambient

I have a couple of Igneous Flame albums – Intox and Oxana. Both are wonderful drifty drone-ambient pieces. Intox is a little over an hour long – so it suits me for a writing spell. It’s good music to be more concentrated to, there’s nothing too invasive or requiring too much attention (unless you want to to really give it attention). Oxana has some shipping forcasts later in the album which adds a little edge.

I still like CDs for variety and some of Igneous Flame disks are still available at Shopsonic, but you can stream music from the Igneous Flame MySpace page. There are also some neat videos at the NME site.

[The Core] by I Awake

I Awake – [The Core] is a 60 minute-plus album (it has a “hidden” track at the end) that’s probably more chill than strictly ambient. There are a lot of beats compared to some of what I listen to. Nothing too fast or imposing and much of the record is made up of atmospheres and gentle drifty melodies, supported by some deep bass, choir sounds and a little singing. [The Core] is made up of shorter tracks – mostly between four and five minutes, unlike many ambient albums around which often have tracks which clock in at 15 minutes and upwards. I like to write to this album when I’m wanting to be fast and punchy – the music is an hour with energy and drive, ebbs and flows and this gets reflected, I think, in slightly more upbeat writing.

Like other releases on the exquisite Ultimae label, this comes with a gorgeous 16 page booklet of photographs.

phantomshadows available again

The Venus Vulture album phantomshadows, which was originally released on the Resting Bell netlabel, is available again. It can be streamed or downloaded (for free) on the Venus Vulture Bandcamp page. phantomshadows is a minimal ambient drone album of four tracks, each around 14 minutes. The release was combined with a set of images, which are available on the Flickr page.

The funny details:
The release went out of print because I, silly me, had joined APRA – the New Zealand branch of the Australian Performing Rights Association. I think they do good work, but they’re not really compatible with creative commons licences. Christian, who does an extraordinary job at Resting Bell, was faced with paying GEMA (the German equivalent of APRA) fees for releasing my music – even though it was never my intent to generate money from this release. My bad. I’m no longer a member of APRA, though GEMA’s rules are different, it appears possible that I will never be able to release music through Resting Bell or any other German netlabel.

New Venus Vulture track – “Doubtful Sound 3 March 1963” – available now

I’ve uploaded a new three minute track to my Reverbnation page. This is another short drifty piece, a little very slow melody/chord progression with some distant voices speaking quietly. The title comes out of the story I’ve just submitted (see this post), and in keeping with my other Reverbnation tracks, is dated (arbitrarily, perhaps, but that’s all part of it). The track, as with the others there, is available for streaming or free download.

As I mentioned elsewhere, I’m having less focus on Venus Vulture music this year as I work on writing more – but I will keep shooting for a track a month.

Matthew Florianz

Dutch ambient artist Matthew Florianz has a great catalogue of minimal ambient music to drift off to. His work is deep and subtle and very moody, and has been well reviewed in the ambient community. I have most of the releases on CD, and have been lucky enough to get some limited edition releases too. Niemandsland from 2006 was originally released with two disks of extra material and the three make a great developing soundtrack for a day of creativity. It’s nice to listen to CDs, rather than just streaming or listening to downloads through Winamp – in part because I can have the computer off and just edit or handwrite.

Florianz’s CDs are available through Shopsonic, and you can check out his MySpace page for updates, happenings and samples and songs to listen to while online. There is an album’s worth of tracks to listen to on the MySpace page.

Sounds The Songs of Seabirds

Sounds The Songs of Seabirds is prolific Vancouver artist Bob Singley. With an extensive catalogue of ambient and experimental music available to stream and download on his Bandcamp site, Sounds The Songs of Seabirds has hours of exquisite background sounds to tickle your ears as you work, rest and play. Some of the releases are long – over 100 minutes – one, the archive, stands at over 340 (like, six hours) and is growing. Suffice to say I haven’t listened my way through everything yet, but a couple of albums in I’m liking it so far. Most of the music is free to download, but with some nice self-deprecating humour there one album is billed as a fundraiser: “Hello. This album is a fundraiser for myself. I am trying to raise up money to pay my rent. And buy some eggs …” It’s $1 (or more, if you want). Cool that if you buy it, there’s a 25 minute bonus track which takes the running time up to an hour twenty (ie – burn a CD of it). The next album, Soorya Namaskaram, is a crisp work, droney with enough whiskers of melody and strum to keep it interesting – you can listen from the embed below, but do check out his download site, or his myspace page. While much of this is improvisational and live and doesn’t quite have the polish of many professional releases, it’s still very cool, with a freshness and immediacy that’s inspirational. Great stuff.

Jerome Faria, 17:14 ep on bandcamp

I’ve just listened to Jerome’s new ambient/glitch ep 17:14 (yes, that’s the duration and the title) – here on his Bandcamp site. It’s a moody, drifty piece, with little hints of melody, tiny quiet jabs of subtle static and some delicious drones. Jerome usually releases music as NNY, and has a pretty full catalogue of downloads and media. Some of his work is a bit edgy and too glitchy for my taste, but this new ep tags it just right – enough drone and melody to balance the strong frequencies and clicks. Great music to write to – available both as a stream and free download.

Taupo Edge 1973 – new Venus Vulture track on Reverbnation

I have just put a new Venus Vulture track Taupo Edge 1973 on my Reverbnation page. The three minute track is just a quiet varied drone, with some voice and field recordings. Hopefully a little haunting. I hope you enjoy this – you can stream or download for free from the site. There’s also an earlier three minute piece there “Tolela Visiting the Ghost July 1913”, which is one of my personal favourites.

I’m focusing this year on writing a little more than music so releases might be a bit light for a while. I have tracks submitted elsewhere for compilations, and a couple of concept pieces – an album and an ep – which I will tinker with, but without deadlines. I guess part of the vague plan too is to make a three to five minute track each month – then by the end of the year that’s about album length. It’s good, I think, to make a little music from time to time to use a different part of my creativity.