Free fiction: Berg – a Titanic story

Darn, I missed the – ahem – boat with getting this up on the 100th anniversary. Still it’s a story I’m pleased with. “Berg” first appeared in the Lame Goat anthology, The Next Time, and was reprinted in the Static Movement anthology About Time (which picked up many of those stories from the out of print Lame Goat volume). This piece is a short, humourous, alternate history.

The image by Reuterdahl is from Wikimedia Commons.

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Berg
by Sean Monaghan
copyright 2010

The Zodiac dropped two feet into the icy water and Tony realised that it must have been a different tide. He started looking for the iceberg and saw it off to port, maybe two miles away.

“There,” he said, pointing and Geoff started up the outboard, moving them across the glassy surface.

Tony scanned the horizon for lights but couldn’t see anything. She must still be a long way off. They had plenty of time. Geoff moved them up and Tony put a piton into the ice, then tied the boat up. They looked it over and decided the best place to put the explosives. Geoff got out the hot drill and they clambered up with crampons and ropes. They had to get into the heart of the berg and it took twenty-five minutes longer to drill the hole than Tony had expected. He saw the running lights on the horizon. She would arrive very soon.

“She’s coming,” Geoff said. His breath left a wispy trail. Like Tony he was dressed in full Arctic thermals.

Tony checked his watch. 11.21pm. Lots of time. He dropped the thin explosive pack down and tamped the lead to the detonator, hooked in the radio receiver and switched it on.

“She’s getting close,” Geoff said.

Tony looked and saw that the ship was perhaps a mile away. He smiled to himself as they made their way back to the boat, keeping their crampons away from the inflatable sides. Geoff backed them off and Tony realised that it would be close.

“Stop here,” he said. The ship was perhaps five hundred yards away now, already turning.

“Come on,” Geoff said.

Tony pressed the button. Nothing happened.

“Do it.”

“I did it already.” Tony pushed the button again and again. The ship was nearly on the berg.

“Too late,” Geoff said. “Leave it.”

The ship was beginning to make its gradual arc around the berg, moving slowly south of them. Tony was transfixed. It was extraordinary to watch this event occurring just yards away from his eyes. He’d seen it so many times in various movies, and reconstructions. He read about it so much he could have written a dissertation. Yet the experience was something entirely different. He felt his throat clench.

The percussive sound of the hull striking the berg gave him such a start that he dropped the transmitter.

The explosion rocked them back and Tony had to grab Geoff to stop him falling from the Zodiac. When he looked again the ship was already head down, sinking fast. It was supposed to take nearly three hours. It shouldn’t be going so rapidly. The explosives, intended to break the berg up into relatively harmless flows, must have blasted a hole in the hull and the sinking was taking moments.

They bucked in the waves as the wash from the explosion hit them. The propellers were up, the bridge already underwater. Tony remembered the Lusitania, torpedoed, taking only minutes to go down.

There was screaming and in just a few minutes the ship was gone.

“Holy crap,” Geoff said.

Tony stared at the still shivering water, listened to the screaming of the people who’d been thrown clear, freezing to death.

Geoff started the engine again.

“What are you doing?” Tony said.

“Picking them up. Wasn’t that the idea? Save their lives. We’ve surely screwed that up, so let’s do something.”

“How many do you think there are? Fifty, sixty? Most of them were in bed.”

They pulled twenty live ones from the water and got them to the Carpathia.

And that gave Tony an idea for their next try.

Geoff didn’t like that any better than the explosives, but at least it gave them a chance to get there early and stop their other selves placing the package.

A week later they dropped back into the water a couple of hours earlier. They pitoned a buoy to the iceberg with a message to themselves not to blow it up, that everything was under control, then they sprinted for the Californian.

Once aboard, in period costume they sat next to the wireless room and created their own CQD distress message. The captain started the ship moving towards the iceberg, further away than the 1912 estimate, but closer than the 1992 vindication.

“What’s he doing?” Tony said nearly two hours later as they watched from the Zodiac.

The Californian had arrived before Titanic and was slowly turning. The berg rested close by.

“He’s wondering about the distress call,” Geoff said. “This is the position, but there’s no wreckage, no boats.”

Titanic had crested the horizon and Tony realised that the Californian was dark, all the cabin lights out as the crew slept, just her small running lights showing.

“Lost amongst the stars,” Geoff said.

Tony thought he was doing poetry, but then he saw the problem. “They must see her,” he said. “They must.”

The Titanic was bearing down on the now stationary Californian. Lord had heaved to for the night again, unwilling to move into the ice field in the darkness. The Titanic lookouts hadn’t seen the berg, but surely they would see the other vessel. Surely. The big ship had a massive head of steam up. Looking for a record time. It swept past the Zodiac like a black curtain.

“This,” Geoff said, “is just one screw up from the beginning.”

Titanic cut the tiny Californian in half. The split little ship heeled over and began going down. The Titanic, slowed somewhat, still smacked hard, bow first, into the berg.

Tony noticed that their buoy was gone and saw the other Tony, and the other Geoff, silhouetted, arms upraised in disbelief.

And then Titanic began going down too. Her hull must have been cracked by the impact. Both impacts. Tony kept hoping that the watertight doors would work, but she just kept sinking. Faster.

“Any better ideas?” Geoff asked, as Titanic’s took on a list that was preventing half the lifeboats getting away.

“Maybe,” Tony said. He had to put this right. “Something much more simple.”

“Well, count me out.”

“You’ll like this, though.”

And of course Geoff did come.

They pitoned in another buoy, with instructions for the first team to leave their buoy, and not to call the Californian.

“Okay,” Geoff said when they’d backed off. “You still want me to circle the berg?”

“That’s the plan. The lookouts were searching for breaking water, but there never was any because the sea was totally flat. That’s why they saw the berg so late the other time.” Tony waved to himself in the other Zodiacs as they went around.

“Yeah, well, if this doesn’t work, neither of us get born, right?”

Both other sets of doppelgangers had got the idea and soon all three Zodiacs were circling, creating wakes that left breaking waves on the face of the berg.

Tony smiled. “It doesn’t bear thinking about. My head spins with the paradoxes.”

Hospital anthology now available

One of the Static Movement anthologies I’ve been editing is now complete and available from Amazon. This is a collection of (mostly) horror stories from a group of talented writers – some new and some familiar to readers of Static Movement anthologies. From danger in space, to crazed physicians, to abandoned wards and standup comedians, the anthology covers a lot of territory. Hospitals seem to provide a fertile ground for writers – after all these institutions are where were often at our most vulnerable and also have to be at our most trusting. There was a little space at the end there, so I managed to sneak one of my one stories in – “Finding Keys” is a flash fiction story originally published in MicroHorror in 2010 – click on the link if you want a little taste of the anthology.

Buy the anthology from Amazon! It’s $14.99, plus shipping (it seems there are some “used” copies already available for $48.00 plus shipping, which seems pretty odd to me… it’s a P.O.D., just released: how could there possibly be any time for it to become used? And why buy it for $48.00? The world just gets stranger).

I still have two anthologies open for submissions at Static Movement: Dieselpunk, and A Butterfly in China – self-explanatory titles, I hope. If you’ve got a story that might fit in those, send it along (guidelines are at the links. These are for-the-love anthologies).

The value of a good cover

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Currently I do the illustrations for all of my book covers. I have a little bit of an art background (in fact have even had some exhibitions), so while I’m no professional I like to think that I have a reasonable idea of how to make a reasonable picture. Sometimes my covers work and sometimes not so much. Case in point here is my cover for my story Stone Goddess. I had the idea – to suit the story – of a pile of rocks that kind of looks like a statue. I attempted a blend of the rocks with the image of the statue (all rendered in Bryce). There are some elements that work, but I’m not convinced that this cover is going to sell many copies of the story (I think the story is one of my best, but so far has sold zero copies on Smashwords).

I was following Jeff Ambrose (another writer who’s inspired me on writing goals) and found his post about working on his covers. Now I though his covers were pretty good to start with, but some of his new ones are just leaving me in the dust. Look at the one here (used with his permission for illustrative purposes) for his story The Stone Goddess. Wow (and yikes, practically the same title). That illustration is so professional that it ought to help him sell an awful lot of copies of the story. (I’m terrified to read his story for fear that not only is the cover better, but so is the story).

That said, he is using dreamstime (an online resource where artists sell the rights for the use of their illustrations), so the covers are going to be pretty professional. Maybe I should take a lesson from Jeff and start investing a little money, rather than time – especially when a cover isn’t working out so well.

Maybe I’ll buy one of Jesse-lee Lang’s illustrations (she did the picture on the cover of Jeff’s story), and go head-to-head with Jeff.

NB: Cover Art Copyright © by Jesse-lee-Lang, Dreamstime.com

Book in hand, typos… in hand

The proof copy of the paperback edition of The Tunnel arrived today. It’s very cool, I’ve got to say, to hold the physical result in my hands (as you can see from that goofy grin). The idea of a proof copy, I guess, is that final check before it gets properly published. I knew there would be some tinkering with the cover to do, but what I didn’t expect was to open it up and spot a typo immediately. This is after three proofreads (one by me, and one by someone else [who’s not to blame at all!] and another by me). It’s just a silly thing too – an “at” when it should be “as” – which makes that sentence (“And as Morgan was leaving…”) make no sense at all. Guess I’m going to have to proof the whole thing again. I might have to do that backwards. At least I know that the ebook version is correct (checked it just now – I guess I got the paperback proof printed before that final proofread. Silly).

Tutoring begins, writing slows


Well, I knew this day would come and I’ve planned for it, I just hadn’t been sure that I’d be quite as far ahead of my writing goals, nor that I would be able to time the beginning of tutoring to fit with exactly what I’m writing. (I tutor in, you guessed it, creative writing).

I’m deep into the next novel (well, 18,000 words), but took a break a couple of weeks ago to write some short/long stories. I should finish the third of those today or tomorrow, then I’ll go back to the novel. That novel will be in three parts, with a long passage of time between each (the first part set in 1996, the second – which I’m about to start – in 2002, and the third will be current), so a break at the end of the first part feels healthy: the characters will have developed and that break should give me a slightly different perspective.

For the next four or five weeks I won’t be able to keep up my 1000+ words a day as I’ve been doing all year (actually much more on average, my lowest daily count was 1010 words, highest over 5500 – the total is just on 130,000 for the 75 days of 2012). It’s going to be hard to slow down, I think, but will likely help with the novel – it might be a little more considered and evenly paced. 500 a day would be nice, but it might be more like 250. Still, that’s about a page. I definitely want to hit 150,000 words by the middle of the year, and do think that with the breaks in tutoring it will be quite possible. It would be good, I think, to get this novel finished by then, and be thinking about the next one.Oh, plus a couple of stories in there too.

On the reading side, I’ve just finished Kristine Kathryn Rusch’s City of Ruins – a sci fi adventure following on from Diving into the Wreck (and numerous stories). It was a fun romp. It seemed to start a little slow, but picked up quickly and became utterly compelling. I’m looking forward to the next one in the series – (Boneyards) – which is actually already out.

Now I’m finally picking up John Irving’s Until I Find You, which somehow I missed reading when it came out. I loved Last Night in Twisted River which I did read when that came out over a year ago – actually one of my favourites of his. I expect I’ll enjoy this one. I know I’ll be reading it slow (see notes on being busy above), but actually, that’s just fine.

The Tunnel – The Hidden Dome Volume 1: new cover and updated text

My novel The Tunnel, available at Smashwords and other ebook retailers, has a new cover (subtly nicer, I think, richer colours, better layout) and (very importantly) updated text. It’s been proofread (yet again) and more typos have been corrected, plus a few clunky sentences. I seem to have this habit of dropping the last letter from a couple of words (“her” for “here” and “the” for “they”) and missing it in initial proofreads. So now it looks better and reads better.

The little pic here is how the old cover looked, for comparison’s sake.

300,000 words progress

At first I was going to give an update when I hit 75,000 words for the year. That’s a quarter of my goal. But that milestone passed a couple of weeks back. As of today I’m at a shade under 95,000, so will probably be a third of the way to my goal early next week.

It might sound like I’m getting a little ahead of myself here, but I was making allowance for doing tutoring this year. I might not have made quite enough allowance. Tutoring is going to be one big giant tyrannosaur with teeth like stalagtites (and stalagmites). The paper’s structure has changed radically this year. Instead of the regular 4 assignments, with a three week turnaround, the paper now has nine assignment dates. Now those are smaller, certainly, some of them are much smaller, but there is much more regular on-going contact. That’s got to be good for the students and developing their writing, but for me it means that the blocks of time between the deadline dates are smaller and less free. I’m sure that it will be good for me: challenging and stimulating, rather than just cruising into it, but at the same time I’ll have to redraw the way I hit my own writing goals.

Speaking of goals, my first new novel for 2012 is up and available. The Tunnel is available immediately from Triple V Publishing as an ebook through Smashwords – here. It’s a sci-fi adventure story. I’ll blog about it more when it’s made it through to Kindle and B&N and so on, and when the print version is out.

Four recent publications

As the writing races on like a horse on a track, I’m still managing to find a little time to format and publish some short stories and collections as ebooks.

First up are two short stories – “To A Pile of Ashes” and “Stone Goddess”. Ashes was first drafted years ago while I was working on my thesis. Over the years it had numerous revisions and eventually found a home at Infinite Windows. Goddess first came out a couple of years back, first in Lame Goat Press’s Horror Through the Ages, then in The Best of Lame Goat Press, and was also podcast by Barry J. Northern at Cast Macabre. Ashes is fairly straightforward adventure sci-fi, while goddess is a Mars story but sci-fi with a slight horror edge.

Then there’s also the second of my flashpacks – short collections of flash fiction stories. This new one, following Lizard Brain and other stories (which I neglected to publicise), is Zombie-Eyed Girl and other stories: five stories with at least a hint of zombie to them. One story – “Unbuild the Bridge” – is new for this collection, with the other four having appeared elsewhere over the last few years.

Finally there’s another Michael Shone story – “Katie Stumbled”. This is an odd hybrid of a story, a little sci-fi, a little somethingpunk, and all adventure. It was originally published in the Static Movement anthology Bounty Hunter. I used the pen name since I already had a story (“A Visit to the Theatre”)under my real name in the volume.

These will show up at ebook retailers if you search for Sean Monaghan, or just find them at my Smashwords page – here.

January

I’ve been fortunate through January, with several days with no other commitments – work, family, etc. – where I’ve been able to focus on writing, so my word count goal has been achieved. Actually, more than achieved. Turns out that I’ve written this year’s first novel. I started on January first (after writing the last few scenes from a novella started in late December), and finished the last two chapters and epilogue this morning before heading to work (this morning being February first). 63,000 words – a couple of thousand a day through January. That’s pretty good, but I’d say I’m unlikely to keep that pace up – still, it’s a good start towards the aim of 300,000 words this year.

Being a pulp fiction writer now (from reading Dean Wesley Smith’s blog), it’s now on to proof-reading before I decide what to do with it – publish right away as an ebook and POD, or submit to a publisher.

Given how impatient I’m feeling at the moment, self-publishing is looking more likely. At the moment I have just two novels available as ebooks and it feels like it would be useful to support those with a few more.

I don’t have a title for the novel yet, but I’m sure that will come in my first round of proofing before I get someone else to proof it. It’s an adventure story set on a jungle on a distant planet with a lead character with artificial eyes. It was fun to write, and I hope it will be fun to read. I’ve created a rough for the cover, but we’ll see what I end up doing with it in a couple of weeks anyway.

Now, on to writing a short story (an entry for a New Zealand literary competition), another sci-fi story (Writer’s of the Future entry) and another novella under a pen name. Then I’m going to write another literary novel for the New Zealand market. It’s good to feel the plan outlined and have a feel for the way ahead.

Why write pulp?


Following yesterday’s post, I’ve thought about why I’m writing about writing so much so fast.

Believe me, I do enjoy literary works, well, mainstream literary. Richard Ford, John Irving, Richard Russo, Anne Tyler, Jane Smiley, Annie Proulx are among my favourite writers. I enjoy the nuances they are able to bring to their writing, their skill with language and narrative. I have written, and even published, numerous literary stories, where I’ve polished and honed the words, where I’ve edited out sections or rewritten entirely from scratch, and often I’m proud of those pieces.

That said I’m having fun just writing pulp. Now, I’m not saying my writing is especially good (the reader can judge that), but I’m focusing on the story and trusting that my writing will carry it. What I’m finding currently is that as I go I’m paying more attention to the words where before I would have thought, “Well, I can fix that later in revisions”. Part of this comes from finding over the last year that my stories seemed stronger on their first draft without too much tinkering, part comes from reading about other approaches. Dean Wesley Smith has a good post here about not revising until a story has become just white paste.

Not interested in white paste. Looking for story. That’s why I’ll be writing pulp fiction for a while yet.