The Writer as busker

Stone Goddess UpdatedI’ve been self-publishing/indie publishing for about four years now. Learning as I go. Kind of like a busker or a street performer. Out in public practising. Getting better as I go, I hope. Taking courses and reading books and learning all the time, too.

On occasion, some kind reader buys one or other of my stories, like tossing money into a buskers cap. It’s encouraging. I hope they enjoy the stories they purchase as I practise in public.

With the learning, as soon as I feel I’ve got a handle on the writing, I seem to discover some new technique or approach. Often things that seem obvious. Right away I incorporate that into my writing, with various degrees of success. When I look back over my stories, some I’m very proud of, others seem to have been written by a different person.

The other key thing I’m learning is business. That’s a much tougher road for me. I don’t think I’m a natural entrepreneur, so I have to concentrate. I have to make an effort to take those risks, invest some cash, and push into those realms that are a whole lot more uncomfortable.

One of the things I’m beginning to look at are some of those older stories, with bad covers and terrible blurbs. Case in point: Stone Goddess. It was a fun little story I wrote some years back. It got published in an anthology titled Horror Through the Ages from Lame Goat Press. No monetary payment (at the time I was fine with that: I was happy to be in print). It also got a podcast at Cast Macabre (and seems to be still available, for free). Again no monetary payment.

At some point along the way I realized that giving stories away was not a path to making a livelihood (slow to catch on, I know).

I started putting my stories up on Smashwords, Kindle, iTunes, Kobo, Nook and so on. Even putting some of the longer ones in print. I did my own covers. I wrote my own blurbs. Learning all the time.

Now, I’m going back and gradually updating some of those older works with some of the things I’ve learned more recently. So “Stone Goddess” has a new cover. To my embarassment, I’m putting the old cover next to the new. I like the new one better.

Original cover image by me. New cover image by © 1971yes | Dreamstime.com

I’ve redone the interior too, and added a couple of other stories to fill it up a bit (“Stone Goddess” is kind of short) for some value for money. A new blurb too:

Top Mars researcher Ben James loves getting out into the field. Under the stars. Into the dust and stone.
But today something’s amiss. Something’s out there. Calling to him.
Something he’s got to find.
Even if it means breaking every protocol.
A short story from the author of The Molenstraat Music Festival. Includes three bonus Mars stories.

I think it could still use some work, but I dare not show the old blurb (omigosh amateur ramblings).

The story is pretty much available at your favorite ebook retailer. I’m thinking about making a print version (though it’ll be slim). If you’ve read this far (thanks) here’s a coupon for a free copy from Smashwords. Click here and enter the following code:

Promotional price: $0.00
Coupon Code: XH22Q
Expires: April 26, 2021

Five years was the longest I could set the coupon for. I think you have to create a Smashwords login – if you’d like a copy without all that palaver, just let me know here.

All that said about going back, I am continuing to go forward. Trying to write better stories. Working on having consistent covers. And writing sensible, engaging blurbs.

Busking.

10,000 words and counting for April

honeydew

As I think I’ve mentioned elsewhere in my mutterings, I make sure to write every day. I also have a word-count target every day. The target gets flexible: I’m aiming for a half million words of fiction for the year, which spreads out to around 1373 words per day (it’s a leap year, that spreads it even thinner).

So far I’m ahead of my target. Well ahead, in fact (169,000 completed, averaging around 1725 words a day). I did have some days with no other commitments and wrote over 5000 words on each of those, so that’s helped bolster the tally. Fewest words on a day was February 10th with just 503 words. Don’t recall what got in the way that day.

It’s great having my momentum up – I recommend it, in fact. Already in April I’ve gone over 1500 words each day, with a high of 1815. That high was the day I finished a novella and started in on a new novel. 10,000 words for the first six days of April. Pretty good for me. Best of all I’m having fun.

100,000 words. So far.

hard at work 1

A slower start this year, but I’ve still hit over a hundred thousand words so far. That’s averaging a bit over 1400 a day. I’d like to be at 1500, but hey. I think that’s a little bit of “failing to success” (Dean Wesley Smith has a good article about that, here, from 2014, but the idea of achieving well, but slightly below your goals is still relevant). My overall posted goal for the year is a half million words, so I’m well on target for that.

I’ve published one novel (The Eye, the third volume in The Hidden Dome trilogy. I’ve also completed the draft of a contemporary thriller, written and submitted a couple of science fiction stories, and I’m halfway through the draft of a Canal Days, the sequel to last year’s Arlchip Burnout. Hope to have that out later in the year.

I’m in the process of prepping the next two sci-fi novels – Gretel and Cisterns, both standalones (at the moment). Should have those out by the end of March and the end of April respectively.

I do need to get on top of print versions. Haven’t got to that for The Eye yet, so there’s a dropped-the-ball moment. Should get that out with print versions of those other two. I should also bundle the three books of The Hidden Dome series so people can get the series as a set.

I’ve had a story in Aurealis and have signed contracts for another couple of stories coming out later this year (one a reprint). More on those closer to the time.

My story “The Molentstraat Music Festival” from the September 2015 issue of Asimov’s is a finalist in the Asimov’s Readers’ Poll and also in the Aurealis Awards. That’s pretty cool. I’m hoping it will also get on the ballot for New Zealand’s Sir Julius Vogel Award.

As Shadows on the Snow, with Kendall from Decembernightskies, we’ve also had more music come out this year. Feels like something for another blog post.

I do need to update my website. Seriously. Need to learn more about marketing. And discoverability. Also that garden that needs one or two weeds (or more) pulled.

So, even with a few glitches of my own making, I’m happy with this start to the year. How is yours going?

Half-year review

Well, I haven’t had much to say lately, which is fine. Very busy writing, naturally, just not so much on the blog/facebook, etc. Since the end of June has slipped by, I thought I’d do a quick review, as much for my benefit as anything.

A few publications around – “Salazar” in Perihelion, “Number Man” in SQ Mag, and “Concentration” in Landfall. It seems like a very slow year, but I’m focusing on two things: submitting to more pro and fewer semi-pro mags, and also writing fewer stories and more novels. This means there’s less stuff out there. I’ve had a few other acceptances, which I’ll announce when they arrive in stores.

Perihelionsq-mag-19-cover1LF229
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Music-wise, there have been some Shadows on the Snow releases and one Venus Vulture release.00_-_shadows_on_the_snow_400Mu cover 1Nudibranch on Zenapolae
I don’t think that’s all of them – I have trouble keeping up with Kendall and his sheer enthusiasm!

Check here for A Thousand Winters Against the World. Others can be found at archive.org, Bandcamp, Kruk Records and Zenapolae.
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With the self/indie-publishing, I’ve put up quite a few items, including three novels (one horror, one literary and one sci-fi). I’ve got a few more in various states of readiness (and some more in my head). These show up at smashwords, Amazon and other ebook/physical book retailers.
the room pod 6x9 5sw second run cover 3Arlchip Burnout cover 10 smallWalking Gear2b
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The business of writing-words on the page-has progressed well too. Despite a slower time while travelling in Japan, I’ve still completed a quarter million words for the first six months of the year. I guess that’s what writing every day (even while travelling) does.

Better yet, I’ve completed more words so far this year. That is, items proofed, corrected and formatted. Over 300,000 words. Over the past few years I’ve let some items sit around (including a 92,000 word novel), but I’m feeling more onto it this year. It’s all very well to write, but if it’s not finished and submitted/published then I’m not satisfied. It feels good to be getting some of last year’s (and the previous year’s) stories completed.

Similarly, I’ve published more – 340,000 words so far. Yes most of that is indie/self published. Likewise, it feels good to have the writing out there.

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For the next six months. More of the same. I’d like to get another five to seven novels out. I’ve promised readers The Eye book three in The Hidden Dome series, so I need to write that (I expect to finish the draft of the current novel in the next few days, then get to writing The Eye). I have a few other novels fully drafted, just needed that final tinkering. That does mean more proof-reading/reader feedback, and more formatting.

The main thing, though: I’m having a ball. Thanks for reading.

Walking Gear image © Artem Popov | Dreamstime.com
Arlchip Burnout image © Kuan Leong Yong | Dreamstime.com
Used with permission

Changing Modes

DSCN2859b small Last night I finished the draft of my first novel of the year.

That’s change mode number one. For the previous twelve-plus months I’ve been focusing on short stories so have mostly been writing in the 3000 to 10,000 word range.

Writing a sustained story that’s 60,000 words long takes a different kind of process. Glad I did Dean Wesley Smith’s Pacing Workshop (non-affiliate link!) over summer. That gave me a whole new way to approach a novel.

Change mode two: once I finished the novel I got started on a literary short story. Each year in New Zealand there are a couple of big literary contests and I make sure I enter both. One of them has a prize of $10,000 – seriously! I guess my chances are about 1/10,000, but that’s better than that Lotto thing and I still get to send off my story to other markets when it doesn’t win (one of last year’s entries has just been accepted for Takahe, a NZ literary magazine, yay).

So I went from the validation at the end of that sixty thousand word hard sci-fi novel to the opening of what will be a 3000 word piece focused on language and character more than action and wonder. I hope I can pull it off.

And, yes. I got started on the story as soon as I finished the novel. I saved the file called “pirates 25 2 2014” and created a new file called “the accident 25 2 2014” and began typing. Some writers apparently take a week off after finishing a novel. Nice for some, I guess. I want to capitalise on that momentum and carry on with writing. Anyway, I have a daily word count goal to hit.

Oh, that busy bee in the sunflower? Just last week in the garden. Summer is really giving us a scorcher for the moment. I know most of you are practically snowbound at the moment – I hope the pic gives you some cheer.

Notes on “a little”

sship practice
I seem to be always submitting stories, and then re-submitting them elsewhere. Sometimes when a story gets rejected, the editor includes some feedback. I do find it a fascinating education when the feedback from one editor is contradictory to that from another (such as “This story is too long given the premise”, versus, “I found myself wanting more development and exposition – it feels too compressed”). Things like that help me realise how much taste comes into an editors selection and not to give up on stories I’m sending off.

Recently, though, I got a nice piece of specific feedback: that the story contained numerous uses of “a little” in close proximity. Nice call. It sure does. “He moved back a little”, “the projection looked a little worn”, etc. I went through the story (with Word’s search function) and combed them out – changing some, removing some, and leaving a few, before sending it out again. I got another story back yesterday and took a look at that too. 28 instances of “a little” in 8700 words. Some of them within a line or two. It doesn’t make for good readability. How could I not pick that up in proofing? I think I’m going to refine my process and add in an extra proof-read specifically to look for this kind of thing – not just “a little”, but any words or phrases repeated in close proximity. With yesterday’s story I deleted a bunch of “a little”s, changed some (“a bit”, “partly”), and left some (sometimes it’s just what I meant). After all these years of writing, I’m still learning, sometimes even the simple stuff.

Lucy Snyder – on sales versus publications

I’ve had Lucy A. Snyder’s slim collection Installing Linux on a Dead Badger on my shelf for a couple of years, always meaning to get on to reading it. From the title you can tell it’s pretty tongue in cheek, and it is. From sly snickers to laugh-out-loud moments I really did enjoy the collection. Some of the stories are told in fairly standard narrative, while others are written as news reports. There’s a thread running through the book – the whole Linux as a way to work with the undead, and similar ideas – which makes it a strong unifying whole.

This prompted me to check out her website, and Lucy’s been busy since (and before) publishing the badger book – several books from Del Ray, which I’ll be checking out.

That all leads me to the point of my post – Lucy’s cool post “On sales versus publications” about why she lists her story sales, rather than her publications. Go read the post. Okay, it’s a few years old now, but the concept still stands. It’s been argued elsewhere – along the lines of treating writing like any job, a writer deserves to be paid – but Lucy gives a great and concise argument.

You’ll see in my bibliography I list publications. Just a handful of those are genuine sales, and many of those for token amounts.

Moving the goalposts

So I crossed the finish line. 300,000 words so far this year. Publishable? I hope. Some have been published already – some self, some with small presses, some have been accepted for upcoming publication and others are out with editors. As I wrote during my evening block of writing time I knew I would cross the line – I had 586 words to go. (This is how I’ve kept track of that – click to see the whole thing – a bunch of numbers I fill in each day and let Excel calculate to get totals and percentages. The bottom right corner gives me the total):

but I kind of lost track as I became more engaged with the current story. I ended up writing over 1100 words for the session – a reasonable day. In some ways I was pleased to see that I continued on without even realising… for a few days I’d been wondering if I would kick back and just congratulate myself and fall into the habit of watching bad TV. As I wrote a few days ago, I’ve reset the goal, and I think that will help keep me on track and motivated.

The spreadsheet above might seem a little OCD (I don’t scrub my hands, though I see elements of needing to know numbers in me), but it’s helped me have my eyes on the target. That percentage figure in the bottom corner ticking over has helped me focus. I’m keeping that – it’s at 100.20% now, and I’ll let it go on up to 150%, but I’ve added in another little ticker beside it for the August to December goal in the bottom corner:

That’s going to challenge me. I’ll have to stay at around an average of 1000 words a day. While December is clear, there are four tutoring deadlines between now and the end of November and two of those will be full-on: six weeks of pretty intense reading and feedback. I don’t expect to get through a lot of writing during those weeks. Still, I might play catch-up through December. The plan is to write The Deluge, the second part of The Hidden Dome trilogy, between the last day of tutoring and the last day of the year. That’ll be more like 2000 words a day.

One finish line in sight, another beckons

My writing goal for the year is 300,000 words. Accounting for other activities (mostly the time commitment of tutoring), that seemed like a reasonable goal. Right now I’ve completed just over 290,000. Whoops. It looks like I’m about hit my year end goal around the last day in July. Now I need some new goals, or milestones.

Part of the idea of the goal came from Jeff Ambrose. Jeff redraws his approach as he goes too – pretty inspiring.

Here’s how this year’s writing comes out so far:

Two novels written. One (The Tunnel) edited and published as a POD book, and as an ebook, and the other (working title Steel Wagon), currently being proofed. That one’s a literary novel, so I’m sending to a New Zealand agent to see what kind of response it gets. If it doesn’t filter through that system, I’ll similarly self-publish it as a POD and ebook.

Sixteen stories written. These range in length from flash (two) to novellas (two), with most sitting between 6000 and 12,000 words. Five of these have been published, along with another three stories from last year. Four of the stories have been published by magazines/ezines (MicroHorror, Flashes in the Dark and The Colored Lens), the rest have been self-published through Smashwords, mostly under pen names. I’ve also re-published numerous short stories through Smashwords, but as reprints they don’t count towards first publication goals (I’m aiming for publishing 300,000 words as well, in addition to any reprints – sitting at 120,000 so far). I have one story in updating (ie, it’s been edited and proofed and just needs those corrections made), one in proofing, and one in progress. I am still proofing the second novel, but have the first 5000 words about ready to go to an agent.

New goal: 300,000 words by the end of July. Steel Wagon 5000 word sample and synopsis with an agent by August 11th. New literary story completed by 15th August (specifically for the Sunday Star contest). And set a new word-count target for the rest of the year.

I already know that I’ll be writing the second book in The Hidden Dome trilogy (working title – The Deluge) later this year (probably after tutoring finishes in late November), so that’s 60,000 words, more or less. But what to do for August through November?

Well, there is tutoring, so that cuts into time a little. During the last main block my daily writing, usually over 1000 words, slipped down like an eel in a pipe. 132 words on my lowest day. Still, four months is around 120 days, so perhaps 100,000 words is realistic. Combined with the novel, that will put me over 450,000 words for the year. Sounds about right.

Receive rejection, resubmit, recycle

Wednesday was a tough day.

Not only did I learn I hadn’t placed in Writers of the Future, I got three other rejection slips in the mail. All form rejections. Still that means that those stories can all go out to other editors who might like them. So that’s what I did. Sent them out. Within an hour or so I had my list back up to twenty live submissions.

Then, as I sent off that last one, some good news. An acceptance. Yay. It is in a no-payment, no-copy anthology so it stokes just my ego, but by then it was in need of a little stoking.

And it got a little better too – with some new music accepted for release on Zenapolae. More on that in another post. Right now I’m getting back to writing the next story.