Death Valley wind recording

Artist David Andree made a call for field recordists to participate in a collaborative recording event which took place on February 28th at 15:00:00 GMT/UTC, as part of an art project to be exhibited at the big orbit gallery in buffalo, ny from march 7th – 28th 2009. Field recordists from around the world simultaneously recorded the sound of the wind for five minutes. David then compiled the recordings into the exhibition.

I was in Death Valley at 7am local time (3pm GMT) and, though I was travelling light and didn’t get access to the technology needed to upload the recording in time for the exhibition, I made this recording –

The hand-clap sound at the beginning is part of the project’s synching. Mostly this is the sound of my own circulation system, and occasional noises as I shifted my weight on the stoney ground. This is a binaural recording, so headphone listening might enhance the sense of it. Note, it is also very quiet – remember to turn your volume down before you put Metallica on again (or not).

I was near Daylight Pass – just South of where the road meets the California/Nevada state line (the white dashed line), on the California (left) side:

More stuff on Death Valley coming – I spent the day there, my second visit. Seven years ago I made the Venus Vulture album “Death Valley”, which had* limited** circulation. I listened to the CD as I drove around during the day. Now I’m starting work on a new project “Death Valley Redux”, which will hopefully see release later this year.

*(and always will have – I was still learning about music and how it works)
**(to friendly and encouraging family and friends)

New Venus Vulture track/interpretation on Infrequency digital release

Infrequency made an open call for artitst to submit interpretations of the 1860 recording of Au Clair de la Lune by Édouard-Léon Scott, the earliest known recording of the human voice, to compliment the double CD compilation. The Venus Vulture interpretation “Monduacs” is included in the the digital only collection. See Infrequency for more details and the download link.

Nice review of Signal Artifacts – in Portuguese

I came across this review of Signal Artifacts on the jazz e arredores site. I don’t speak Portuguese, but thanks to google translate, this is a rough English approximation:

The New Zealand photographer and sound artist Sean Monaghan invites us to a dive in the depths of the yawning abyss electronically, through Signal Artifacts. After gentle descent, began to settle the outlines of the moving image, in between which is worrying desvendam pathways of serenity. The vehicle’s dispatch, which links the different stations between the departure and arrival, the drone is bright, dotted with glitch, sounds of strings and pieces of occasional noise. Signal Artifacts from Venus Vulture, also known as Sean Monaghan, from the German netlabel Resting Bell. MP3 download with CD Edition limited to 25 copies.

Signal Resolutions 11 August 2008 on lakaFILZ Resting Bell web mix

I don’t know much about this but there’s a very cool tribute to the Resting Bell netlabel including a Venus Vulture track. Listen online here

Playlist:

The Way Up To The Hill (Mensa – Southern Recordings)
Dream Of The Lighthouse Keeper (Astrowind – Der Leuchtturm)
The Clifts (Mensa – Southern Recordings)
Listless is more (Offthesky – Rare Decay)
0Forest At The Edge Of The Endless Fields (Astrowind – Der Leuchtturm)
Signal resolutions – 11 August 2008 (Venus Vulture – Signal Artifacts)
4.0 (Glenn Ryszko – 4.0 subtle distorted guitar drones)
1.0 (Glenn Ryszko – 4.0 subtle distorted guitar drones)
Libau (Astrowind – Der Leuchtturm)
Iside outside corners (Offthesky – Rare Decay)